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Dog Training the American Male

A lighthearted work with well-drawn characters and genuine laughs.

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In Knight’s comic debut novel, a relationship expert turns to dog-training strategies in order to domesticate her incorrigible boyfriend and save her flagging career.

Nancy is a psychologist and relationship specialist who hosts a radio talk show in West Palm Beach. After two failed engagements, she’s taken herself off the dating market. Unfortunately for her, this means no one is much interested in her advice. Her listenership is evaporating, and she’s been forced to move in with her sister and her sister’s bodybuilding girlfriend. Jacob is a recovering Wall Street software programmer undergoing a crisis of purpose. He works at a customer-service call center and lives in his brother’s guesthouse with a Yoko Ono–inspired blowup doll. After Nancy and Jacob meet on a blind date, their harried siblings prematurely encourage them to move into a place of their own. Their personalities clash, and the situation isn’t improved by the introduction of a poorly trained German shepherd to the household. The dog does give Nancy an idea, however. To increase her audience and save her relationship, she begins using canine training tactics on Jacob and then describing them on her radio show. Though initially effective, man proves to be a surprisingly complex animal, and Nancy’s inspired idea leads to complications that threaten to ruin her love life and livelihood. The book is funny in the best way: the humor propels the action rather than pausing it. Though Knight sometimes lacks subtlety when it comes to characterization (new characters’ ages, occupations, and ethnicities are rattled off as soon as they enter a scene), and the dialogue is sometimes overly expositional, the authorial hand is mostly well-hidden, and the prose flows like a jocular babbling brook. More impressively, the central characters transcend their stock roles and grow into legitimately compelling subjects. Incident by unlikely incident, we are pulled deeper into their lives until it is their fates (not merely their quips) that keep us turning the pages. Knight is a naturally comic writer; what is more, she is a talented storyteller.

A lighthearted work with well-drawn characters and genuine laughs.

Pub Date: Oct. 8, 2014

ISBN: 978-1630760175

Page Count: 272

Publisher: Taylor Trade Publishing

Review Posted Online: Feb. 9, 2015

Kirkus Reviews Issue: March 15, 2015

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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