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LITTLE BOOK’S BIG DAY OUT

A reassuring, sensitively handled first step toward coping with a common emotional hurdle of childhood.

Awards & Accolades

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In Braziel’s children’s book, a young girl must cope with separation anxiety when she starts school.

Addie, depicted as a light-skinned, brown-haired young girl, is about to begin her first day at school. She is less nervous about the new experience itself than about being parted—even temporarily—from her inseparable companion, Little Book, a stubby, plain-covered blue volume with expressive eyes, mouth, cheeks, and eyebrows. Little Book and Addie have always enjoyed a rich, imaginative play world, enjoying activities like tea parties, hide and seek, hopscotch, cooking, swinging on swings, and Halloween dress-up. And, of course, they read together. Addie likes to hold Little Book close and give him big hugs. Though they have to part, Little Book accompanies Addie and her mother on their first school drop-off. Then, disaster strikes: Little Book falls into a donation box, and ends up in the Little Free Library outside Addie’s school. Before Little Book’s plight becomes too upsetting, he is welcomed to the library by Teacher Book, a larger, bespectacled, salmon-colored tome. Teacher Book introduces Little Book to the other young books, and they enjoy a day of class together. Little Book still misses Addie—he remains anxious about her (“his little heart hurt”) and builds a little Addie figure out of blocks. But he has fun, too, and takes the first tentative steps toward friendship with a giggling orange book. At the end of the day, when the school bell rings, the door of the Little Free Library is flung open, and Little Book is grabbed...by Addie. Braziel narrates in straightforward, non-rhyming text, allowing events to unfold without distraction. Though the subject matter has the potential to be distressing, Addie and Little Book’s separation is couched within a safe framework of loving, supporting characters and Tran’s buoyant illustrations. Employing a light color palette to convey caring facial expressions and depict a small but racially diverse background cast, the uncluttered digital images evince a feeling that all will be well. This book will offer particular comfort to those affected by Separation Anxiety Disorder.

A reassuring, sensitively handled first step toward coping with a common emotional hurdle of childhood.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Jan. 6, 2026

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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GRUMPY MONKEY

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...

It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?

When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)

Pub Date: May 15, 2018

ISBN: 978-0-553-53786-4

Page Count: 32

Publisher: Random House

Review Posted Online: Feb. 18, 2018

Kirkus Reviews Issue: March 1, 2018

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