An absorbing tale that, alas, ends too abruptly.


A slum-dweller in Casablanca is briefly elevated into the upper class, then recruited by Islamic terrorists.

In her debut novel, Lalami, author of the short-story collection Hope and Other Dangerous Pursuits, 2005), explores the religious and political underpinnings of social inequity in globalized Morocco. Her teen protagonist, Youssef, has begun university studies on scholarship, fulfilling the dreams of his mother, Rachida, a nurse, who raised him single-handedly in a one-room shanty. His father, Rachida claims, died in Youssef’s infancy. Under questioning by Youssef, she admits that his father was Nabil Amrani, scion of a wealthy family, who died in a car crash shortly before their planned marriage and Youssef’s birth. At university, Youssef envies the conspicuous consumption of “Mercedes-and-Marlboro” students. His only friends are Amin, a law student, and Maati, who works for an Islamic extremist group, the Party, which operates a cafe to attract local youth. Hatim, the Party’s chairman, shows Youssef a magazine demonstrating the degenerate journalism (a piece on Morrocan vintners) of a reporter named Benaboud. Also featured in the magazine is a tycoon named Nabil Amrani, who resembles Youssef, right down to the piercing blue eyes. Youssef confronts Amrani, who is thrilled to learn he has a son. Amrani sets Youssef up in a luxurious apartment, where he enjoys the Mercedes-and-Marlboro lifestyle. Amrani, hoping to groom him for the family business, gets Youssef a high-paying job. But when Amrani leaves for Los Angeles to reconcile with his estranged daughter Amal, Youssef is summarily ejected from both job and apartment. In a far-fetched development, Hatim convinces Youssef, who up to now has been impervious to the Party’s propaganda, to see his domestic dilemma as directly linked to the persecution of Muslims. Impulsively, Youssef agrees to execute Benaboud.

An absorbing tale that, alas, ends too abruptly.

Pub Date: April 21, 2009

ISBN: 978-1-56512-594-3

Page Count: 304

Publisher: Algonquin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2009

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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