A mythical, magical, and introspective adventure that celebrates Mesoamerican heritage; more, please.

THE JADE BONES

From the Age of the Seventh Sun series , Vol. 2

The young royals of Chicome face new threats while grappling with faith, identity, and their roles in the cosmic story.

Picking up where The Seventh Sun (2020) left off, this entry finds Mayana and Ahkin in the mysterious netherworld of Xibalba. Tasked by the Mother goddess, they must traverse a series of challenges—including a giant jaguar and a river of blood—as they make their way to the City of the Dead. Meanwhile, Yemania, the young healer who befriended Mayana while competing for the affections of the young emperor, has her time to shine in the overworld, where Metzi, Ahkin’s twin sister, maneuvers to hold power after her brother’s fall. Whether in the mythical underworld or the overworld, characters must grapple with their identities, including the lies they have told themselves about who they truly are, in order to best the challenges before them. There is plenty of poetic license taken in this blending of Mesoamerican mythologies, from Mayan to Mexica, but the common threads of life and death, sun and water worship blend well to make a rich tapestry on which to build a fantasy world. While aspects of the storyline might jibe more with Judeo-Christian tradition than the actual source material, the book is nevertheless sure to stoke teens’ curiosity about the world’s mythical roots. The cliffhanger ending will leave readers eager for the third installment.

A mythical, magical, and introspective adventure that celebrates Mesoamerican heritage; more, please. (Fantasy. 13-18)

Pub Date: Feb. 16, 2021

ISBN: 978-1-982546-10-6

Page Count: 300

Publisher: Blackstone

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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