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BECOMING GENTLEMEN

WOMEN, LAW SCHOOL AND INSTITUTIONAL CHANGE

A look at how women are seduced and betrayed by our top law schools, by Clinton's controversial ex-nominee for assistant attorney general for civil rights Guinier (Law/Univ. of Penn.; The Tyranny of the Majority, 1994) and two colleagues. Although women are matriculating at America's law schools in record numbers, they consistently underperform compared to their male classmates. According to this study of 981 male and female students at the elite University of Pennsylvania Law School between 1987 and 1992, female law students receive lower grades, achieve lower class ranks, earn fewer awards and honors, and take less prestigious jobs than males. Even more troubling, the women law students interviewed by Guinier, et al., report that the culture of law school, which ``emphasizes aggressiveness, legitimizes emotional detachment and demands speed,'' robs them of their ``voices,'' alienates and demoralizes them, and even endangers their mental health (as one woman put it: ``Guys think law school is hard, and we just think we're stupid''). The authors come down particularly hard on the so-called ``Socratic method'' used in most law school teaching; the ``ritualized combat'' of the technique silences many women whose learning styles are better suited to the cooperative environment of smaller-scale seminars, and teaches little more than ``how to ask rude questions.'' This brief study is hugely persuasive but sometimes a bit vague: Exactly what are the career options available to J.D.s who refuse to ask ``rude questions''? Exactly what are the long-term effects of three miserable postgraduate years? Occasionally, the focus is too narrow; for example, is it possible that women law graduates fail to take public-interest jobs not because they've been coopted by macho, corporate-friendly law-school culture, but because they need lucrative jobs to pay off staggering law-school debts? Despite the sometimes conclusory nature of the analysis, an important and startling work by a provocative national figure. (Author tour)

Pub Date: April 7, 1997

ISBN: 0-8070-4404-0

Page Count: 208

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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