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WHO’S QUALIFIED?

A well-intentioned proposal that is not quite ready for prime time.

A brief exchange about how best to ensure that all Americans have access to the most coveted schools and jobs.

Guinier (Law/Harvard Univ.; Becoming Gentlemen, 1997, etc.) and Sturm (Law/Columbia Univ.) open this slender volume with a not-so-modest proposal: silence the critics of affirmative action by reforming the way that we determine who is “most qualified” for advancement without sacrificing diversity. The authors begin by questioning the “testocracy” that has determined who gains entry to the best schools and companies in recent decades, claiming that standardized tests (such as the SAT) are inaccurate predictors of future success. In addition, those from privileged backgrounds tend to do better at such tests, thereby perpetuating the status quo. According to the authors, a far better predictor of success would be a form of probation, during which the candidate has an opportunity to perform in the desired job or university. After a probationary period, he or she would be evaluated according to a number of criteria that have been identified as relevant to successful performance. With the exception of a single hypothetical, however, the practical application of such a system is left for another day. Having advanced their proposal, the authors invite responses from various academics who pinpoint the weaknesses of the author’s naïve suggestions. One objection is that standardized tests offer the best chance for minorities (particularly Jews and Asian-Americans from disadvantaged backgrounds) to crack the old-boy network. Another point is that standardized tests are rarely used in the workplace, and almost never for the most coveted jobs. Finally, there is no guarantee that the subjective, post-probationary review suggested by the authors would not be susceptible to the prejudices of the evaluators. The replies made to these and other criticisms are unconvincing.

A well-intentioned proposal that is not quite ready for prime time.

Pub Date: Aug. 15, 2001

ISBN: 0-8070-4335-4

Page Count: 128

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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