by Lani Guinier ‧ RELEASE DATE: April 7, 1998
Legal scholar Guinier describes the experience that made her famous and the lessons she learned from it: President Clinton’s withdrawal in 1993 of her nomination as assistant attorney general for civil rights, under withering attack from conservatives. Guinier, recently appointed Harvard Law School’s first tenured black female professor, insists in this half-autobiography, half-treatise that Clinton actually did her a favor, despite her anger over the way she was treated by hostile critics, a press too lazy to verify attacks levied against her, and a president who had once been her friend. “From a momentary crisis,” she writes, “I retrieved the opportunity to become who I am”: someone who now strives to emulate Martin Luther King Jr. and Nelson Mandela by “pushing forward from behind.” Guinier describes how she has relearned lessons from early in her career as a crusading lawyer for the Legal Defense Fund of the NAACP, that lasting social change comes from the bottom up, from an energized citizenry, rather than from top-down fiats from legislators or administration bureaucrats. Guinier repeatedly hits readers over the head with lectures on participatory democracy and building from the grassroots. Also, her narrative would make more sense if she had placed her most important chapter at the beginning rather than near the end. In it, she defends her belief in proportional representation, which so outraged right-wing pundits in 1993. Her arguments for systems in which, basically, representation is based on the percentage of votes received, rather than winner-take-all, seem perfectly sensible. Certainly, just as her outnumbered defenders argued in 1993, there is nothing in her theories, which are modeled after numerous current and historical examples, to justify the vilification she received. Despite her tendency to pedantry, Guinier is an original and stimulating thinker whose ideas, in contrast to her last wide exposure to the public eye, may now get the broader and fairer airing they deserve.
Pub Date: April 7, 1998
ISBN: 0-684-81145-6
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 1998
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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