Manhattan's beau monde served up in juicy, evocative prose.

BASE NOTES

Can perfume kill?

Scent is everything in Donnelly’s unique, voluptuous thriller. Not only does suave antihero Vic Fowler analyze the mix of odors emanating from every person and place he encounters; Donnelly’s introductory list of characters describes them in terms of their “base notes.” She opens each chapter with an analysis of its content in scent—for example, Chapter 1: "Notes de Tête: Whiskey, Jasmine, Oakmoss. Notes de Cœur: Old Cigarettes and Stale Coffee. Notes de Fond: Mildew, Charcoal, Barbicide." The death of iconoclastic perfume magnate Jonathan Bright has left his company, Bright House, in tatters under the stewardship of Vic, his lover and protégé. Vic’s brilliant invention is a line of perfumes that allows the wearer to relive memories. Down at the heels and subletting a basement apartment in Harlem, Vic is determined to use his considerable charm and sex appeal to return to his former glory and exact revenge upon Joseph Eisner, the man he blames for bringing him low. As Vic is implicated in both Jonathan’s death and the disappearances of wealthy Conrad and Caroline Yates, dogged detective Pip Miles lurks in methodical pursuit of the truth. Details of those crimes are doled out in tidbits over hundreds of pages. Vic accepts a commission from Eisner to devise a fatal scent and, with an offbeat trio of sexy sidekicks—bartender, barber, and tailor—hopes to use it as the vehicle of his vengeance. Donnelly offers physical descriptions nearly as rich as the olfactory, and she colorfully depicts a pre-Covid New York City, heavy with detail and likely to trigger nostalgia. But her plot moves at a glacial pace. The question for readers to ponder: Is the journey luscious enough to mitigate a long-delayed destination?

Manhattan's beau monde served up in juicy, evocative prose.

Pub Date: Feb. 1, 2022

ISBN: 978-1-5420-30700

Page Count: 414

Publisher: Thomas & Mercer

Review Posted Online: Nov. 17, 2021

Kirkus Reviews Issue: Dec. 1, 2021

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 58

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Well-done crime fiction. Baldacci nails the noir.

DREAM TOWN

An old-fashioned gumshoe yarn about Hollywood dreams and dead bodies.

Private investigator Aloysius Archer celebrates New Year’s Eve 1952 in LA with his gorgeous lady friend and aspiring actress Liberty Callahan. Screenwriter Eleanor Lamb shows up and offers to hire him because “someone might be trying to kill me.” “I’m fifty a day plus expenses,” he replies, but money’s no obstacle. Later, he sneaks into Lamb’s house and stumbles upon a body, then gets knocked out by an unseen assailant. Archer takes plenty of physical abuse in the story, but at least he doesn’t get a bullet between the eyes like the guy he trips over. A 30-year-old World War II combat veteran, Archer is a righteous and brave hero. Luck and grit keep him alive in both Vegas and the City of Angels, which is rife with gangsters and crooked cops. Not rich at all, his one luxury is the blood-red 1939 Delahaye he likes to drive with the top down. He’d bought it with his gambling winnings in Reno, and only a bullet hole in the windscreen post mars its perfection. Liberty loves Archer, but will she put up with the daily danger of losing him? Why doesn’t he get a safe job, maybe playing one of LA’s finest on the hit TV show Dragnet? Instead, he’s a tough and principled idealist who wants to make the world a better place. Either that or he’s simply a “pavement-pounding PI on a slow dance to maybe nowhere.” And if some goon doesn’t do him in sooner, his Lucky Strikes will probably do him in later. Baldacci paints a vivid picture of the not-so-distant era when everybody smoked, Joe McCarthy hunted commies, and Marilyn Monroe stirred men’s loins. The 1950s weren’t the fabled good old days, but they’re fodder for gritty crime stories of high ideals and lowlifes, of longing and disappointment, and all the trouble a PI can handle.

Well-done crime fiction. Baldacci nails the noir.

Pub Date: April 19, 2022

ISBN: 978-1-5387-1977-0

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

Did you like this book?

more