by Lara Feigel ‧ RELEASE DATE: May 8, 2018
A graceful, absorbing meditation on two lives.
A writer discovers herself as she searches to understand Doris Lessing (1919-2013).
In her mid-30s, married with a young son, Feigel (English/King’s Coll., London; The Bitter Taste of Victory: Life, Love, and Art in the Ruins of the Reich, 2016, etc.) became obsessed with the idea of freedom. A miscarriage strained her marriage, and as desperately as she wanted another child, she also felt conflicted about the inherent constraints of motherhood. Struggling to define the “existential feeling” of freedom and its consequences for a woman’s life, Feigel turned to Lessing, for whom liberation was a pressing concern and recurring theme, mining her works and her life in an attempt “to understand freedom as Lessing conceived it and as we might apprehend it now, politically, intellectually, emotionally, and sexually.” Thoroughly immersed in Lessing’s work, Feigel decided that there seemed an “urgent and personal liberation to be found in pursuing Lessing herself: in hunting her down as a way of giving the side of me that identified with her the space and time it needed to emerge.” Combining memoir, biography, and sensitive close readings of Lessing’s fiction and autobiography, Feigel creates an unusually intimate exploration of the intertwining of Lessing’s life with her own. As much as she admired Lessing, two facets of her life were problematic: her abandonment of her two young children, which Lessing saw as “a necessary condition” of her pursuit of freedom; and her continued membership in the Communist Party. Lessing’s “love affair with communism,” Feigel writes, “left me both envious and shocked”: shocked by her attempts to defend Stalin; envious of the reckless excitement of a love affair as well as “her determination to be always complicated: to question everything—not only what those around her thought, but what she herself thought.” Despite all of Lessing’s “energy and talent,” her life inevitably “narrowed” in ways she could not control, leading Feigel to redefine freedom for herself as a “surprisingly joyful knowledge of my own powerlessness.”
A graceful, absorbing meditation on two lives.Pub Date: May 8, 2018
ISBN: 978-1-63557-095-3
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: Feb. 4, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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