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BLOOD OF WAR

From the Larry Bond's Red Dragon Rising series

Bond and DeFelice conjure a chillingly all-too-believable near future global conflict.

The final installment in Bond and DeFelice’s four-book Red Dragon Rising series sees China moving inexorably toward its conquest of Vietnam, while those in the know in the United States government and security services work behind the scenes to stop the Chinese juggernaut in its tracks.

In the Red Dragon Rising series’ version of 2014, climate change has brought the world to the brink of chaos. As the fourth and final book in the series opens, the Chinese army is preparing to sweep through Vietnam as part of a famine-ravaged China’s quest to conquer the smaller nation, primarily as a source of food. Maj. Zeus Murphy is still in country, and he’s come up with a plan to stall the Chinese advance, but in order to put it in motion, he’s going to need to work with the Vietnam People's Army as well as some of the darker elements of the CIA. Back at home, President George Greene, who believes China should be stopped sooner rather than later, and whose approval is necessary to set Murphy’s plan in motion, is facing a political crisis which may tie his hands. Meanwhile, while Josh MacArthur, the scientist who presented the world with proof that China’s justification for going to war was fabricated, is cooling his heels in rural Ohio and pining for CIA agent Mara Duncan, a Chinese assassin is lurking nearby, waiting for an opportunity to strike. Naturally, Bond, who co-authored the quintessential military techno-thriller Red Storm Rising with Tom Clancy, is at his best depicting the technological components of modern warfare. He displays an encyclopedic knowledge of modern weapons systems and tactics, and he knows how to use his knowledge to full advantage without bogging things down in military acronyms and technobabble, thus creating exquisite tension during action scenes. When actual human emotions figure into the plot, though, as love does in several instances in this book, things read a little bit off, but few will notice or particularly care thanks to the novel's steamroller plot and tense action sequences.

Bond and DeFelice conjure a chillingly all-too-believable near future global conflict.

Pub Date: Jan. 22, 2013

ISBN: 978-0-7653-2140-4

Page Count: 320

Publisher: Forge

Review Posted Online: Oct. 31, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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