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PRIZE STORIES 2001

THE O. HENRY AWARDS

A strong year for the series.

For this year’s collection—short fiction’s version of the All-Star Team—editor Dark has reduced the number of stories from twenty to seventeen in order to include three lengthier pieces.

Refreshingly, each of the three longer stories departs from current fiction’s overly familiar “middle-class quotidian” terrain. Mary Swan’s “The Deep”—given First Prize by judges Mary Gordon, Michael Chabon, and Mona Simpson—takes place during WWI and centers on a pair of peculiarly co-dependent female twins who go overseas as civilian volunteers. In Andrea Barrett’s “Servants of the Map,” a nervous British surveyor traverses the Himalayas of the 1860s, while George Saunders’s brilliant “Pastoralia” (printed, fortunately, from the full text in Saunders’s book of the same name, and not from The New Yorker’s truncated version) is about a hapless fellow playing a caveman in a “historical” theme park. The judges give Second Prize to Dan Chaon’s “Big Me,” an extraordinary piece about a boy in Nebraska who becomes convinced that a stranger on his block is his future self. Meanwhile, ever-reliable Alice Munro takes both Third Prize, with “Floating Bridge,” and a Special Award for Continuing Achievement. This award was last given in 1986, to Joyce Carol Oates, who also appears in this year’s collection, her 29th O. Henry selection. There are a few weird recurrences—in two separate stories, people come across children’s hands—and, as usual, a preoccupation with illness and violence. The inclusion of historical fiction—as well as wonderfully strange fare like Pinckney Benedict’s “Zog-19: A Scientific Romance,” about an alien made of iron and sentient gases who takes over the life and loves of a Seneca Valley farmer—keeps the volume various and interesting, despite a small handful of desultory pieces. Taking this year’s magazine award is The New Yorker, which published five of the seventeen stories.

A strong year for the series.

Pub Date: Sept. 4, 2001

ISBN: 0-385-49878-0

Page Count: 432

Publisher: Anchor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2001

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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