Rings true without being clichéd, a neat trick.
Debut novelist Ehrhorn works impressive CPR on a trope that has been done to death: the Sturm und Drang of surviving high school.
In 1960s-era Chicago, Talbot High School senior Kelly Elliott is living not the dream, but the nightmare. His acne is all but terminal; he has never had a date; he has just wised off to Joe Swedarsky, the class bully—and that’s just the start of his torments. His single mother, left by his feckless father years ago, has a sometime lover who is a cheater and dangerously abusive. His high school teachers are the typical mixed and sometimes-sadistic bag. There are the usual high school embarrassments, as when Kelly lets loose the fart heard ’round the gym right in front of Laura LeDuc, head cheerleader who seems so sweet but—he finally learns—is a player, a manipulator. He does find love, after a fashion, with Linda Martinsen, who is worthy of it. His real connection, however, is with Mary Harker (aka Ginny Dare), a stripper who understands him, anchors him, comforts him. These lessons are painful but necessary. Senior year does come to a merciful end, finding a newly reflective Kelly, a Kelly who has found a real measure of understanding and acceptance of hard truths. Ehrhorn writes well. One finds sentences like, “The series of life’s dominoes were continuing their cascade” to describe Kelly’s hapless, up-and-down life. The chapters are almost self-contained episodes, each contributing to Kelly’s education. An interesting point is that it is the women—Kelly’s mom, Linda Martinsen, and especially Mary Harker—who are his most valuable teachers, while the males—Swedarsky, Kelly’s long-gone father, the abusive Dan Phillips, and others—are the anti role models. The most poignant passages are those between Kelly and Mary Harker. The stripper with a heart of gold is a tired and strained cliché, but Ehrhorn pulls it off beautifully and tenderly. What finally happens to Mary is a godawful kick in the gut but absolutely faithful to the story.
Rings true without being clichéd, a neat trick.Pub Date: Sept. 14, 2017
ISBN: 978-0-692-92846-2
Page Count: 252
Publisher: Madijean Press
Review Posted Online: March 7, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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