by Larry Gomez ‧ RELEASE DATE: May 4, 2013
Solid ground for philosophical explorations.
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In an attempt to understand the shamanic drum, primarily as used by the Siberian Sami culture, this philosophical tome dives into theories of ontology, epistemology, art history and ethnology.
A brief anthropological overview describes the drum as a tool for communication between nomads and the reindeer that were critical to their survival, as well as the knowledge a skilled shaman could use to develop wisdom and healing techniques for his community. But Gomez’s analysis becomes theoretical and essentialist as he compares the ontologies of Martin Heidegger and Gilles Deleuze to those of Plato, Aristotle and René Descartes in order to formulate an idea of the drum as a piece of equipment—“ready-to-hand,” as Heidegger might call it—that exists in the context of a world with structure and language. This type of discussion continues through dozens of great thinkers and ideas, yielding a grand analysis of the human condition and of Western versus nomadic thinking, as if a theoretical understanding of it all were necessary to put the shamanic drum into its proper context. Gomez rejects both a Freudian explanation of the shamanic journey as a psychological process occurring purely in the shaman’s mind and an Eliadian explanation based in visual imagery of the shaman’s ascension into the sky. Gomez’s frame for the journey is that of the shaman traveling through an information-rich, tactile soundscape of overtones and assumed animal identities, experienced by shaman and the nomadic community as a smooth transition between different worlds related by their proximity to one another rather than a striated jump between inner and outer worlds. Gomez’s style is lucid, well-organized, linear and academic, and his guide could serve well as a textbook for a graduate seminar. But for most readers, the wait for these insights may be too long, and the path is burdened by the volume of its proof as much as it is grounded by it. Spiritual seekers hoping to find a firmer conceptual grounding for modern shamanism—stronger, perhaps, than that provided by New Age favorites like Michael Harner—might find this reading much too difficult for the reward. Similarly, the Western academic focus, the relative dearth of information derived from actual discussions with modern Sami and the lack of photographs of real drums or analysis of their specific designs will disappoint readers looking for a more robust understanding of traditional shamanic culture. Nonetheless, deep thinkers who crave a real-world example around which to contemplate the nature of human existence will find ample food for thought.
Solid ground for philosophical explorations.Pub Date: May 4, 2013
ISBN: 978-1480064751
Page Count: 606
Publisher: CreateSpace
Review Posted Online: July 15, 2013
Review Program: Kirkus Indie
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by Larry Gomez
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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