Moments of real vision, pathos and poetry, but never entirely convincing.
Cleverly conceived but sketchy first novel revisits John, Paul, George, and Ringo in an alternate 1987.
In this world, the Beatles broke up in 1962, when John Lennon walked out of Abbey Road Studios over management's decision to release treacle instead of honest rock-and-roll. George Harrison and Ringo Starr followed him back to Liverpool, but Paul McCartney followed his crowd-pleasing, bottom-line instinct (and Brian Epstein) to America. Without the Beatles, rock withered and the ’60s never became The Sixties. When we catch up with them, George is a Jesuit priest, teetering in and out of madness, John is an embittered crank on the dole tortured by visions of what might have been, and henpecked husband Ringo is his amusing, level-headed friend, rescuing Lennon from scrapes as they cadge drinks at the pubs, occasionally sitting in on gigs with other Mersey Beat has-beens like Gerry and the Pacemakers. McCartney, now Paul Montana, is a Vegas crooner, thrice-divorced (Nancy Sinatra was first), an embarrassing cross between Wayne Newton and Sammy Davis Jr. In crisis over the cancellation of his TV series, Paul decides to reunite the Beatles and recapture the flame of youth during his upcoming trip to perform for Queen Di. The novel plays out over one day in a Britain on the brink of being taken over by the far-right National Front; Julian Lennon is one of its rising stars. The now middle-aged boys drink and fight, perform and bond, struggle with the past, and finally accept their lots. Kirwan, leader of the Celtic band Black 47, first spun his fantasy as a play, and it shows. The characters are amalgams of identifying tics that would work better as stage business, and the larger political story playing out in the background feels like caulking slapped onto the joints between acts.
Moments of real vision, pathos and poetry, but never entirely convincing.Pub Date: June 1, 2003
ISBN: 1-56025-497-1
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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