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DARE I CALL IT MURDER?

A MEMOIR OF VIOLENT LOSS

A powerful testament to a son’s unyielding determination to tell his parents’ story.

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A chilling memoir of a family tragedy and its painful aftermath.

In 1978, when Edwards (Food and Provisions of the Mountain Man, 2003) was 28, both his parents died under mysterious circumstances while sailing in the South Pacific with his brother Gary, his sister Kerry and a young family friend. In the wake of this devastating loss, it became clear to Larry—and the FBI investigators assigned to the case—that the timeline and logistics of his brother’s account of what happened were completely implausible. None of the survivors came forward with the full details, but it became apparent that only Gary could possibly be responsible for the deaths. The FBI’s case against him was built around circumstantial evidence, however, and as the investigation stretched out over years, the Edwards siblings struggled with the betrayal that tore their family apart. Larry began drinking more as he sought refuge from persistent questions from various law enforcement agencies about how and why his parents were killed. The author’s compelling real-life tragedy is the stuff true-crime books are made of; indeed, his parents’ case became the subject of a true-crime story, Ann Rule’s But I Trusted You (2009). Unfortunately, according to Edwards, that account was full of inaccuracies; it not only dredged up unresolved grief, but also created a new, terrible rift between him and another of his sisters. Edwards’ memoir examines every angle of the case in clean, clear prose, and the author’s keen desire to honor his parents’ memory gives his memoir its power. However, at times, the book seems overly concerned with pointing fingers at family members—not necessarily for their roles in the author’s parents’ deaths but for how they’ve behaved in the years since. That said, this book is an act of witness, and the author’s motivation is palpable throughout: “I have a right to know. Our family has a right to know. Society has a right to know.”

A powerful testament to a son’s unyielding determination to tell his parents’ story.

Pub Date: July 9, 2013

ISBN: 978-0985972820

Page Count: 312

Publisher: Wigeon Publishing

Review Posted Online: Aug. 20, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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