A fitting end to McMurtry’s odd but wise saga of Old Europe in the New World (By Sorrow’s River, 2003, etc.).
Lord Berrybender’s epic four-year hunting trip through the unsettled West comes to a wistful close.
Under comfortable house arrest in Santa Fe, McMurtry’s large cast of peers, painters, trappers, priests, Indians, and the crop of infants who have replaced the many characters left dead on the deserts and by the many tributaries of the Missouri await rescue and relief. Everyone is edgy in this most remote reach of the rickety Mexican republic. Lady Tasmin, the improbable but appealing eldest daughter of the boozy earl is in black despair following the death of her reticent lover Pompey Charbonneau, son of Sacagawea. (Yes, that Sacagawea.) Were it not for the loving ministrations of Little Onion, Tasmin’s sort-of-in-law, her husband’s Indian wife, Tasmin’s son Monty and the twins Petey and Petal would have no emotional home. Tasmin has no emotional room for anything. Not even her husband Jim when he returns. Her sister Buffum worries constantly about her Indian husband High Shoulders, who is on the Mexicans’ most-wanted list. Tasmin’s stepmother and friend Vicky, the cellist and former mistress to Lord Berrybender seethes as Lord B. cavorts with a voracious but deeply blue-blooded 16-year-old. Only little Petal seems untouched by the provincial malaise. Petal is truly her mother’s daughter. Impetuous, brilliant, bossy, demanding, and precocious, the pretty child steals everything her twin brother might want and demands her mother’s full attention and, if possible, devotion. She’s unimpressed by her father when he returns, but they eventually bond. Suddenly the great caravan lurches into motion again. The governor’s governors have ordered the removal of the party to old Mexico, where everyone will be held hostage for dealings with the soon-to-rebel Texans. Their resumed odyssey brings horrible deaths to both family and retainers from cholera, slavers, and indigenous tribes, and as the Republic of Texas rises, the great adventure winds down.
A fitting end to McMurtry’s odd but wise saga of Old Europe in the New World (By Sorrow’s River, 2003, etc.).Pub Date: May 1, 2004
ISBN: 0-7432-3305-0
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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