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QUIET VALOR

UNSUNG ARCHITECTS OF THE AMERICAN PROMISE

A collection of inspirational, if often superficial, biographical sketches of lesser-known American heroes.

A debut author profiles unheralded defenders of American democracy in this nonfiction anthology.

“In every era of American life, there have been individuals whose quiet courage reshaped the country,” writes Nouvel, adding that they accomplished meaningful change “not with speeches or titles, but through decisive acts of conscience.” As the first book in a planned multivolume Quiet Valor series, this anthology briefly profiles 15 figures whose actions, in the author’s opinion, made the country a better place. The book opens with Harry W. Colmery, an American attorney and former head of the American Legion who wrote the G.I. Bill in 1944, which “shaped a generation,” Nouvel says, by providing housing, education, and other benefits to millions of World War II veterans. Not only did Colmery defy partisan politics as a Republican who worked closely with a Democratic presidential administration, but his example, per the author, offers an alternative form of patriotism that defies cheap “slogans.” This opening chapter sets the tone for the rest of the book, which include portraits of Jonas Salk, who famously chose not to patent his polio vaccine, and Mychal Judge, who offered aid and prayers to victims of the 9/11 attacks before being killed in the collapse of the World Trade Center’s South Tower. Other profiles present figures of the civil rights or gay rights movements. Claudette Colvin, for instance, refused to give up her seat on a Montgomery, Alabama, bus in 1955, prior to Rosa Parks’ better-known protest, and Frank Kameny sued the U.S. Civil Service Commission after he was fired in 1958 because of his sexual orientation.

Overall, the book highlights people who “lived on the margins of power” and represent the diversity of American men and women throughout history. This emphasis on inclusivity makes for a welcoming work that’s relentlessly optimistic in its belief in the power of ordinary people to make substantive change. The author also explicitly challenges the “Great Man Theory” of history that privileges those in positions of power. The anthology does, however, lean toward hagiography. Its survey of the G.I. Bill, for example, doesn’t address the belief among many contemporary historians that the legislation widened the economic gap between white and Black families. Also, although each chapter features research-based endnotes alongside a bibliography of suggested readings, the book’s brevity (at less than 180 total pages) allows for only a brief recap of each individual’s achievements. The fact that the book was written with the assistance of ChatGPT will give readers pause, as well. The work would have benefited from a stronger edit, overall; activist Bayard Rustin’s name, for instance, appears as “Baynard” at various intervals. Nevertheless, the text offers a timely reminder that the “forces that sustain democracy” too often go unnoticed, particularly in an era defined by “headlines, spectacle, and division.”

A collection of inspirational, if often superficial, biographical sketches of lesser-known American heroes.

Pub Date: May 31, 2025

ISBN: 9798286014408

Page Count: 182

Publisher: Self

Review Posted Online: July 23, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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