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THE MANNINGS

THE FALL AND RISE OF A FOOTBALL FAMILY

A winner for fans of modern football.

A thorough but light-handed account of the making of a sports dynasty.

Peyton and Eli Manning are the big names in a football family with roots in the football-crazy Deep South, Eli renowned as the second-highest-paid quarterback in NFL history, Peyton as “the face of the most popular sport in America.” Yet the Mannings, as older readers and fans will know, go beyond the brothers. Longtime Sports Illustrated reporter Anderson (The Storm and the Tide: Tragedy, Hope, and Triumph in Tuscaloosa, 2014, etc.) begins and ends his vigorous story with Peyton’s triumphant performance at Super Bowl 50, when he ended his career as the lead quarterback for the Denver Broncos. As the author notes, Peyton’s numbers were legacy enough, with a record-setting number of 4,000-yard passing seasons, but he also was influential enough to change the rules regarding contact with defensive backs. Anderson digs in deep to trace the family franchise to the Depression era, especially to patriarch Archie Manning, who began as a rising star in basketball but, having failed an audition for a college slot, switched over to football at Ole Miss and, “a classic overachiever,” became a renowned quarterback with a healthy respect for the fundamentals of the game: controlling the ball with the fingers and not the palm, standing with balance, throwing straight and on-target. Archie’s college career helped improve a strained relationship with his own father, and he set numerous records and became a legend in Ole Miss lore. Archie Manning certainly isn’t an obscure figure in football, nor is his son Cooper, forced to leave the game for medical reasons, but it’s good to see both get more of their due from under the shadow of their more famous kin, and Anderson’s yarn never wobbles.

A winner for fans of modern football.

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-88382-2

Page Count: 368

Publisher: Ballantine

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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