An informative introduction to the NFL’s minor league. (20 b&w photos, throughout)
A lively, discursive account of American-style football as it expands its European fan base.
Anderson (co-author, Pickup Artists, 1998) spent the spring of 2000 with the Scottish Claymores, one of six teams in the NFL Europe league. He had access to the team’s practices in Glasgow and traveled to games in Berlin, Frankfurt, Düsseldorf, Amsterdam, and Barcelona. A Sports Illustrated writer, he’s at his best when covering the origin and growth of the league. Developed by the NFL in the late 1980s as a response to the global growth of the NBA in the Magic/Bird/Jordan era, the World League of American Football had teams scattered over eight time zones. By 1995, the WLAF had evolved into NFL Europe, which succeeds today as a training ground for the domestic league. (Underused rookies, rehabilitating veterans, ambitious coaches, and even referees work in Europe, knowing that game videotape will be carefully analyzed in the US.) On the initial 2000 NFL rosters, 159 players were veterans of Europe, including Super Bowl Quarterback Kurt Warner. The author demonstrates the low-budget atmosphere of the league, e.g., the Glasgow hotel housing the team has small rooms, nasty food, and computer-incompatible phone lines. Anderson portrays so many people that none emerges as a compelling protagonist. Only Jim Criner, the unlikable head coach, receives extensive attention. Light-hearted moments are based on cultural differences, such as Ziggy, a German bus driver, mistaking the team for a wedding party and taking them to a Frankfurt reception instead of the Düsseldorf stadium. And Nachi Abe, one of two Japanese players on the team, rejoices in his one-member fan club. In his accounts of the Claymore’s ten regular season games and the concluding World Bowl, Anderson ably captures the excitement of the play.
An informative introduction to the NFL’s minor league. (20 b&w photos, throughout)Pub Date: Oct. 1, 2001
ISBN: 0-312-26975-7
Page Count: 304
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2001
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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