by Lars Eighner ‧ RELEASE DATE: Nov. 1, 1995
From the author of the memoir Travels with Lizbeth (1993): a charming if thin yarn, Texas-set, about a secret homosexual organization out to fight gay-bashers. Down in the heart of Austin, the Queen (drag, naturally) of the Imperial Court of the Jade Chimera lives in secret splendor, surrounded by man-servants and supported by loyal subjects throughout the state. In Eighner's world, it seems, almost everyone is gay or violently anti-gay. And some are both, including the Queen's archenemy, Brother Earlan Oklahoma radio preacher, with ties to the KKK, who has a propensity for preaching the gospel one- on-one nude with both women and men. Certain lewd photographs have for years held Earl in check, reigning in his homophobic fervor, but when the photos disappear, Brother Earl feels free to let loose the gay-bashers. Enter Jim, the Queen's pawn sent to entrap Earl into yet another set of damaging poses. Complicating matters, meanwhile, is the Queen's right-hand manand some say morewho falls in love with Jim. Then there's the renegade gay underground of Oklahoma, which doesn't exactly pledge its allegiance to the Queen. But with the Queen's agents everywhere, including on the road in the form of the outlaw biker gang Hell's Fairies, the Queen always has the upper hand. This is no great literary feast, but a silly romp with a few apt sociological observationsthe description, for instance, of radio religion and Brother Earl's ``Worshiptorium.'' Still, despite the clunky writing (``The bubbling nausea of his laundry done, the straight razor laid out, and the discarded shoes began to coalesce into a lump in Jim's stomach'') and the heavy-handed plot twists, Eighner's chivalrous characters are infectious. Frivolous, but fun.
Pub Date: Nov. 1, 1995
ISBN: 0-312-13581-5
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
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BOOK REVIEW
by Lars Eighner
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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