Issues of war, peace and reality are overshadowed by the thoroughly depressing figure of Korin, “the personification of...
Burrow into the dense prose of this novel—the Hungarian author’s second U.S. publication (following The Melancholy of Resistance, 2000)—about an archivist on a mission and you’ll find a story-within-a-story.
There are no periods or paragraph breaks (though there are plenty of commas) in the story of 44-year-old György Korin, a Hungarian archivist, an ungainly loner with bat ears. Korin’s life changes when he discovers a mysterious manuscript tucked inside a family file. He converts all his possessions into cash, which he sews inside his overcoat. His goal is to fly to New York (because, evidently, it’s the center of the world), deliver the manuscript to eternity by posting it on the Internet and then kill himself. Korin is at least borderline crazy but with enough energy to reach New York, though not without problems; he is almost murdered by a gang of feral children outside Budapest, and detained at JFK since he has no luggage and speaks no English. He is rescued by a Hungarian interpreter who offers him lodging. Next, Krasznahorkai crosscuts between Korin’s life in Manhattan and the manuscript he is laboriously entering into the computer. It tells the story of four angelic men shipwrecked in ancient Crete. They travel through time, and Europe, looking for peace but finding only war; there is no way out. Korin has internalized them; they have taken over his life (shades of Pirandello); their quest is his quest, though an abstract one compared with Korin’s New York situation. His landlord and his woman have been murdered in the apartment; the guy had been dealing drugs, and Korin must leave town fast. Back in Switzerland, he buys a gun and shoots himself after delivering an obscure diatribe against a “horrible heterogeneous bunch of people.”
Issues of war, peace and reality are overshadowed by the thoroughly depressing figure of Korin, “the personification of defeat.”Pub Date: April 28, 2006
ISBN: 0-8112-1609-8
Page Count: 288
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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