Evocations of contemporary urban life on the margins—in a first US publication from Turkish novelist Tekin. Like the Garbage Hills of her setting, Tekin's story contains within itself layers of meaning and action: the tales are based on an actual fact of modern Turkish cities but also offer a wry and sympathetic account of life in marginal communities, as well as a quiet but insistent indictment of the callous manner in which such people are exploited. Flocking to the city in search of jobs, Tekin's poor and unskilled set up homes on the hills where the city's garbage is dumped. They build huts with whatever castoffs they can find; then one snowy night their first flimsy roofs of cloth and paper are torn away by the wind, and babies in cradles are dumped hundreds of yards away—an event that, like so much of what happens here, immediately gives rise to song and legend. Other disasters follow, as factories move in and pollute the water and air, and as strikes divide the community. Meanwhile, there are characters like feisty Fidan; Crazy Gonul, acknowledged as the group's first whore; ``Liverman,'' a storyteller by night and a seller of liver by day; and blind Gullu Baba, who makes predictions about the future of Flower Hill, the new and deeply ironic name for the settlement. Rumors of ``Anarchists,'' the power of the polluted blue water, and the strange, sinister factory a Mr. Izak establishes abound. Life seems to improve as the huts become more permanent and the women find work in the factories, but new squatters are moving in, establishing seedy nightclubs, and just- fired workers threaten violence—a reminder that there can be no happy ending for Garbage Hills, or indeed anywhere else. By using traditional storytelling techniques, Tekin seamlessly marries the timelessness of marginal lives with their contemporary manifestation. An accomplished debut.
Pub Date: Sept. 1, 1992
ISBN: 0-7145-2944-3
Page Count: 176
Publisher: Marion Boyars
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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