bookshelf

CALLING THE WATER DRUM

Name: CALLING THE WATER DRUM
Author: LaTisha Redding
ISBN: 978-1-62014-194-6

by LaTisha Redding ; illustrated by Aaron Boyd ‧ RELEASE DATE: Oct. 1, 2016

Moving.

bookshelf

A powerful story of loss and survival, human connection and hope.

Henri plays his red bucket like a drum. It’s his only physical tie to his parents, who perished while attempting to cross the sea from Haiti to Florida in a small rowboat. He survived and was rescued by refugees in a larger boat, and a note with his New Yorker uncle’s name and contact information allows him to find safety in the United States. But Henri is emotionally scarred by the many losses he’s endured, and he retreats into selective muteness. Playing his bucket-drum is a way for him to express himself, and his neighbor, an African-American girl named Karrine, who lost her father in the aftermath of “a hurricane in Louisiana,” provides companionship and understanding. It is to Karrine that Henri speaks his first word when she says: “I miss my daddy, Henri. Do you miss your parents?” and “a sound rises like a wave in my throat. I open my mouth and one word spills out. ‘Wi.’ Yes.” Redding’s distinguished text sensitively portrays the tragedies young Henri and Karrine have faced, and Boyd’s watercolor illustrations expressively convey the love of Henri’s family, the perils of their sea crossing, and the range of emotions he experiences as he finds his way in New York with his uncle and friends.

Moving. (Picture book. 5-10)

Pub Date: Oct. 1, 2016

ISBN: 978-1-62014-194-6

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: Aug. 1, 2016

Kirkus Reviews Issue: Aug. 15, 2016

Categories:

CHILDREN'S SOCIAL THEMES

bookshelf

LITTLE DAYMOND LEARNS TO EARN

by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

bookshelf

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

bookshelf

IMANI'S MOON

by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

bookshelf

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)