by Laura Bates ‧ RELEASE DATE: April 1, 2013
An eye-opening study reiterating the perennial power of books, self-discipline and the Bard of Avon.
The unorthodox bonding of a Shakespeare instructor and a convicted murderer.
Beginning in 2003, English professor Bates (Indiana State Univ.) began an inaugural group-study program in a solitary confinement prison space, much to the chagrin of the university department chairperson, who found the foray into criminal education a risky venture. The author’s history with prison education extends back to 1983, when she volunteered at Chicago’s Cook County jail while studying for her doctorate. She then taught English classes and Shakespeare studies at Indiana’s supermax Wabash Valley Correctional Facility, an institution housing her home state’s most dangerous criminals. There, she taught an inmate who became the first to seriously frighten her, even after many years boldly volunteering in solitary confinement. The prisoner was “caged beast” Larry Newton, a nefarious yet intellectually sharp murderer serving a life sentence without parole for crimes committed as a teenager. Bates inherited her mother’s “mix of fearlessness and fearfulness,” which fostered the way into the maximum security penitentiary to host an intellectual discussion on Shakespeare’s plays. The author emerges as a selfless tutor dedicated to education without reservation, and she fought hard to educate Newton and other surprisingly charismatic inmates, whom she profiles with a dignified mixture of pride and humanitarianism. The 10 years spent in supermax became a transformative journey for students and teacher alike.
An eye-opening study reiterating the perennial power of books, self-discipline and the Bard of Avon.Pub Date: April 1, 2013
ISBN: 978-1-4022-7314-8
Page Count: 304
Publisher: Sourcebooks
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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