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ISABELLA MOON

Full of ghosts and gore, sure, but only a good read for the gullible.

A debut novel about a small town’s murderous secrets and the woman who leads to their unraveling.

Kate Russell abandoned her past to start anew in idyllic Carystown. Just when she thinks she’s escaped, the ghost of Isabella Moon, a girl whose murder two years earlier remains unsolved, brings Kate to Isabella’s grave. The discovery leads Kate deep into Carystown’s secrets, while her own dangerous past threatens to overtake her. The otherworldly elements, namely Isabella’s ghost, make for a poorly told campfire tale. The dead-of-the-night ghost scenes are clichéd, lacking the thrill and chill of a successful murder mystery. As a whole, the novel is more plot-driven than character-driven, and even then it’s no page-turner until another, more brutal murder occurs—this time involving someone close to Kate. Benedict tackles the gruesome and the disturbing without hesitation; however, Kate never takes shape, morphing from scared and meek to strong and vengeful without ever developing a personality. The most engaging scenes are Kate’s flashbacks that unfold alongside the present story as both become increasingly sordid. Throughout, the text fails to provide motivation for Kate’s actions, damaging the story’s credibility. The same frustration occurs with Sheriff Bill Delaney. Presented as a major figure, he battles feelings of lust for and suspicion of Kate, as well as pressures to unravel the town’s web of sex, drugs and violence. But insight into his character is erratic and the Kate-Sheriff relationship is neglected. Stock characters make up the rest of the ensemble: the wealthy, aging matriarch and her spoiled son, the drug-and-sex-addicted vixen, the wise, retired schoolteacher, the irreverent hippie, etc. The various ways in which they are involved becomes tiresome, and the conclusion lacks pay off.

Full of ghosts and gore, sure, but only a good read for the gullible.

Pub Date: Oct. 1, 2007

ISBN: 978-0-345-49767-3

Page Count: 368

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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