As fascinated as Snare with the portrait, Cumming has fashioned an absorbing mystery.
A true tale that demonstrates the power and seduction of art.
Gracefully melding art history and biography, British art critic and editor Cumming (A Face to the World: On Self-Portraits, 2009, etc.) traces the life of John Snare, a 19th-century bookseller who became obsessed with a painting he happened to buy at an auction: a portrait, he came to believe, of King Charles I as a young prince, made when he visited Madrid—not by Van Dyck, to whom it was attributed, but, Snare was certain, by the eminent Diego Velázquez (1599-1660). Cumming traces Snare’s efforts to find evidence for his increasingly firm conviction, the furor over public displays of the work, and the effects of his obsession on his career, well-being, and family. Interwoven with chapters following Snare’s adventures is a discerning look at Velázquez, hardly known outside of Spain in the 19th century. “He left so few paintings—not more than 120 over a forty-year career,” Cumming reveals, that his art “was rare, unfamiliar, obscure” even to art lovers and critics. Analyzing his technique, themes, and compassion for his subjects, she makes a convincing case that his paintings “are both dazzling and profoundly moving all at once.” Snare, despite “no education, no social standing, no pedigree as a gentleman or an expert on painting,” recognized Velázquez’s greatness. He worked tirelessly to document the portrait’s provenance; poured his savings into mounting exhibitions in London, Edinburgh, and New York; and several times hired lawyers to counter suits contesting his right of ownership. His business went bankrupt, and, leaving his wife and children in England, he fled to America, hoping to earn money from exhibiting his prized possession, which he defiantly refused to sell. After his death, the painting was never again seen.
As fascinated as Snare with the portrait, Cumming has fashioned an absorbing mystery.Pub Date: April 12, 2016
ISBN: 978-1-4767-6215-9
Page Count: 304
Publisher: Scribner
Review Posted Online: Dec. 6, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
