An imaginative, lyrical fictional memoir, it seems, of the author’s own father. (Interesting note: Gabriel García Márquez’s...
A tender and thoughtful, if at times rather stilted, tale of a Mexican telegraph operator, by the megaselling author best known for her debut novel, Like Water for Chocolate (1992).
Don Júbilo was blessed at birth with almost supernatural hearing and an instinctive understanding of all kinds of communication, from an insect's faint rustle to the sweet sighs of a woman in love. His odd gift is noted by his Mayan grandmother, doña Itzel, who quarrels with his Spanish grandmother, doña Jesusa, over the best way to raise him. Doña Itzel takes him to visit Mayan ruins, explaining the hieroglyphics and number dots as best she can to the impressionable boy, who is entranced by the Mayan notion of the galaxy as a resonating matrix in which the transformation of information occurs instantly. Júbilo is equally intrigued by a history lesson centering on an intrepid telegraph operator, a profession he later takes up to support his young wife Lucha, despite his dreams of becoming a singer. In the era before telephone services, interpreting Morse code messages for villagers and rich landowners alike puts Júbilo at the center of many lives as his own falls slowly and inexorably apart. Lucha, the spoiled youngest daughter of a wealthy family, is distressed by their relative poverty and her inability to conceive again after their first child, Raul, is born. Júbilo does the best he can, but his weakness for alcohol gets the better of him. Years later, a second son, Ramiro, accidentally suffocates one night when his father, in a drunken stupor, doesn't hear the baby's cries. Lucha demands a divorce, although she is pregnant with daughter Lluvia, who grows up to write the story of Júbilo's life. Irony of ironies: he is bedridden and mute from Parkinson's disease, no longer able to communicate at all.
An imaginative, lyrical fictional memoir, it seems, of the author’s own father. (Interesting note: Gabriel García Márquez’s father was also a telegraph operator, although the short piece he did recently was much less moony than Esquivel’s.)Pub Date: Sept. 18, 2001
ISBN: 0-609-60870-3
Page Count: 208
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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