Readers won’t be able to keep their own bodies still as they join in this joyfully intersectional romp.
A diverse group of children celebrate the amazing things their bodies can do.
Seven kids use their bodies in various ways, from riding a bike to eating a cake. The group includes one child in a wheelchair, one with a cochlear implant, and one without visible hair, all with a range of skin tones and gender presentations. Some characters wear kippot. The book begins by introducing each of the children by name with their favorite activities, helping to bring each character’s personality to life. The text is a simple rhyming refrain: the phrase “my body can…” followed by an activity. The singsong rhythm and repetition are toe-tappingly fun, encouraging readers to engage in the kind of exuberant movement the book portrays. Bright, clean illustrations show children beaming with joy and pride in their abilities, whether they’re boldly prancing or quietly healing from an injury. Each of the children participate in their own way; for example, a spread with the words “my body can hike” shows two children on a trail, one walking and one using a wheelchair. While the activities are things any child might do, like spinning, laughing, or sewing, many are illustrated in the context of Jewish holiday traditions. For example, a page with the words “my body can build” depicts children building a sukkah. A concluding author’s note encourages kids to identify some of the Jewish holidays and symbols and provides suggestions for related movement-based play.
Readers won’t be able to keep their own bodies still as they join in this joyfully intersectional romp. (Picture book. 3-7)Pub Date: Oct. 21, 2025
ISBN: 9781681156859
Page Count: 32
Publisher: Apples & Honey Press
Review Posted Online: Sept. 13, 2025
Kirkus Reviews Issue: Oct. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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