A compelling and enjoyable ride with five women who supposedly have it all.
A novel focuses on the choices and challenges of five 40-year-old women who formed friendships as motivated Dartmouth undergraduates.
The book’s main characters are affluent, highly intelligent, married women with children. Their stories are narrated in alternating chapters with the exception of Heather Hall, the “supernova” of the group and a pivot for the other four. Heather is the COO of a hot, new tech company. Wealthy and generous, she always hosts their annual girls’ weekends. As the story opens, she is preoccupied with her book launch, so she is hosting in absentia this year. Self-involved and oblivious to her friends’ problems, Heather relentlessly sends texts, tweets, and emails exuding manic positivity. The remaining four are Carmen Jones, Martha Adams West, Elizabeth Smith, and Sara Beck. Carmen was a brilliant student whose career plans were torpedoed by an unplanned pregnancy and resultant marriage. Her dreams for more children never materialized, and her life is unfulfilling. Elizabeth, an exacting “big firm attorney” with a 3-year-old son and a loving but distracted stay-at-home husband, desperately wants a second child. With four young kids and a full-time position as a lawyer, Sara is exhausted by the demands of her job and angry that she is responsible for all of the household management. Martha, a physician, is at home after having two children and getting pregnant with a third. Married to a successful doctor named Robert, she is conflicted about returning to work after her baby is born. As trying as their situations are at the start, the friends are in store for a lot more pain. Unfortunate, terrible, and tragic incidents occur, and all the women must reevaluate their situations and decisions.
Heather’s blockbuster book serves as a catalyst for the four when they realize that each represents one of the titular Four BIG Mistakes of Women Who Will Never Lead or Win. Mistake No. 1: Opting Out (Carmen); Mistake No. 2: Ramping Off (Martha); Mistake No. 3: Half-Assing It (Sara); and Mistake No. 4: Ignoring the Fertility Cliff (Elizabeth). The four are blindsided by Heather’s simplistic and cruel assessment of their lives. But they are at critical junctures, and some of Heather’s criticisms hit close to home. The complexities of the issues are often subsumed by Jamison’s prosaic analyses. For example, during a school conference for one of her sons, Martha is stung by the dean’s dismissal of her desire to return to practicing medicine. Deflated, Martha muses: “We truly can’t win. And shame is the weapon of choice. The dean would never have told Robert not to go to work.” For Sara, who must work full time as an attorney and indispensable parent, “the Fight was always about the same thing—who was doing more, especially more of the shit work.” Although the author does not contribute anything new to the dilemma of women’s roles and work-life balance, the format is engrossing and the stories unfold at a satisfying pace. The husbands are mainly contrivances who serve to highlight the intriguing issues of the five women. The resolutions and reconciliations are effectively explored and have an undercurrent of religious ardency. Heather eventually acknowledges that her four friends “are using their resilience, optimism, courage, and persistence to create lives that are perfect for them.”
A compelling and enjoyable ride with five women who supposedly have it all.Pub Date: Aug. 4, 2020
ISBN: 978-1-63152-709-8
Page Count: 328
Publisher: She Writes Press
Review Posted Online: May 29, 2020
Kirkus Reviews Issue: July 15, 2020
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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