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NOW MY HEART IS FULL

A MEMOIR

Punctuated by insight and inspiration but a bit too self-indulgent for readers who are not mothers or mothers-to-be.

A writer shows how the birth of a daughter changed her life and her relationship with her own long-dead mother.

June, a former staff writer at New York magazine’s The Cut who frequently writes on issues related to parenting, tells the story of her own experiences as a parent, beginning with her decision to have a baby at age 35. She shares the details of the pregnancy, the Caesarian delivery (“my birth experience, such as it was, was about the best thing I could have imagined”), the emotional roller coaster of early parenthood, and the loneliness—and boredom—that often comes with new motherhood. She is clearly fascinated by her life as a mother and with her developing daughter, Zelda, and she is an especially aware mother. Not all readers will share her in-depth fascination, but what makes this account different from “let-me-tell-you-what-an-amazing-child-I-have” baby books are the revelations about June’s mother, whose alcoholism became an early defining factor in her daughter’s life. Her mother’s disease became the author’s secret and introduced her to a life of secrets and lies. Her look back at her years with an alcoholic mother, which makes up a significant portion of the book, is straightforward and has the ring of accuracy. Becoming a mother changed June’s life in more ways than first-time motherhood inevitably does. It opened her up to a social world she had not known, and it allowed her to form family connections she had not had before. New mothers, especially stay-at-home ones, may find that a private life made public is just the thing to brighten and lighten their own suddenly restricted lives. Less-engaged readers may see the memoir as a trip not worth taking.

Punctuated by insight and inspiration but a bit too self-indulgent for readers who are not mothers or mothers-to-be.

Pub Date: July 24, 2018

ISBN: 978-0-14-313091-8

Page Count: 272

Publisher: Penguin

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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