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DON'T BE AFRAID OF THE BULLETS

AN ACCIDENTAL WAR CORRESPONDENT IN YEMEN

An action-packed account of the civil war in Yemen from a woman who experienced it firsthand.

How one woman became a war journalist almost by accident.

Fed up with life in New York City, where she felt stuck in a rut, 20-something Kasinof longed to go to the Middle East and write freelance articles for a living. When a friend suggested she move to Yemen, a country that in 2009 seemed safer than Egypt or Syria, the author leapt at the idea. Having studied Arabic in college, she quickly fell in love with the hospitable people of Yemen and even became a minicelebrity when she played an American in a Yemeni soap opera. She had no idea that the country would soon become a hotbed of anti-government protests, which escalated into a full-blown war between supporters of the dictator, Ali Abdullah Saleh, and those who wanted him ousted from power. Suddenly, Kasinof was in the middle of the gunfire, writing news reports for the New York Times and loving (almost) every minute of it. In this debut memoir, the author provides vivid details of those years, bringing readers into the heat of the conflicts, into the mosques-turned-hospitals filled with the wounded and dying, and into the sitting rooms where she interviewed some of the most important men in Yemen while they chewed khat leaves together. The tensions ran high, as did the adrenaline, which Kasinof admits she became addicted to. She placed herself in some sketchy situations in hopes of an interview, but her affection for the Yemeni people made her want to stay there and report what she saw to the world. Fortunately for readers, she’s taken those moments and shared them, offering a moving portrait of life as a war correspondent.

An action-packed account of the civil war in Yemen from a woman who experienced it firsthand.

Pub Date: Oct. 7, 2014

ISBN: 978-1628724455

Page Count: 304

Publisher: Arcade

Review Posted Online: Aug. 12, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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