A wrenching, complex novel that any fantasy fan would do well to pick up.
Koerber (The Eclipse Dancer, 2018, etc.) offers readers an embittered narrator, a dystopic near future, and an intriguing, nuanced treatment of magic, nature, and justice in this urban-fantasy tale.
Bob Fallon is half-human and “half-forest spirit from the wild hare clan,” and he owns one of the last remaining bits of forested land in northern Wisconsin. It would be easy for him to dismiss humankind entirely—and on some days, that’s exactly what he wants to do. His clan’s mantra of “feed, fuck, fight” has governed a lot of his life, and he can’t help but feel a smoldering rage about the destruction of the forests and other injustices in his surroundings. Koerber’s characterization of Bob is perhaps the book’s strongest element; the protagonist’s jaded, acidic attitude will put readers perfectly into a noirish mindset. At the same time, Bob does a great job of providing context, both for the decaying world he inhabits and for his own limited abilities: “since I’m a fairy, why can’t I fix things?” When Arne, one of his few friends, is jailed for failing to pay speeding tickets, Bob starts raising money for his release, but this is easier said than done, as Bob has spent years avoiding townspeople, doing begrudging odd jobs for them, or outright stealing from them—and the state adds Arne’s room and board to the fine every day. Bob works inside and outside the law as he runs afoul of local militia, a congressman with shady ties, and a host of other fairies, spirits, and tricksters. Overall, the story manages to weave together a complex tapestry of themes, from climate change to poverty to what qualifies as morality in a world that’s facing catastrophe. The prose is clear and concise throughout, giving readers a sense of each scene and character through the protagonist’s eyes.
A wrenching, complex novel that any fantasy fan would do well to pick up.Pub Date: June 12, 2019
ISBN: 978-1-946044-51-8
Page Count: 184
Publisher: Who Chains You Books
Review Posted Online: Aug. 16, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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