by Laura Koerber ‧ RELEASE DATE: Dec. 3, 2018
A charming, readable tale about a resilient woman’s search for her family—both regular and supernatural.
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A Midwesterner recalls her semienchanted childhood.
This latest novel from Koerber (I Once Was Lost but Now I’m Found, 2017) tells the complicated family history of a 65-year-old woman named Andy. She lives in sleepy Allenburg, Iowa, “a small market town in the Midwest, surrounded by puppy mills, factory farms, and meth labs. And cornfields. Lots of gravel roads and lots of cornfields.” Andy looks back on her life growing up in this quiet, peaceful backwater, living with her brother, Danny, and her caustic, bitter mother, Cindy (her father, scorned by Cindy, left long ago). Andy and her mother enjoy chain-smoking and trading barbs. When she’s 13, Andy meets her “fairy godmother,” Alana, and, intriguingly, the label in the girl’s reminiscences seems as much literal as figurative. Alana introduces Andy to the world of Algonquin folklore, which she eagerly absorbs: “She wanted to understand the words of the oldest jiibay, or fairies, from back before they learned Native words and long before they started speaking English.” Andy’s memories move forward in time to encompass her mother’s failing health and her own relationship with her daughter, Bridget. Koerber balances her narrative’s relaxed and direct pacing with frequent, evocative descriptions of the seasonal beauty of the Midwest, which Andy always remembers warmly: “The grass in the yard was silvery, the trees a strange dense black flecked with the starlight that reflected off the leaves. She felt the night air wrap itself around her, heavy as a wool blanket.” The tale progresses naturally through Andy’s memories as she recalls encountering more clues as to the nature and whereabouts of her missing father. The author smoothly works in light fantasy elements, touching on the fairy kingdom that’s always adjacent to the real world. “Aunty” Alana tells Andy stories about that jiibay realm and its ways. The resulting gentle mix of small-town life and glamorous fairies is ultimately enchanting.
A charming, readable tale about a resilient woman’s search for her family—both regular and supernatural.Pub Date: Dec. 3, 2018
ISBN: 978-1-946044-40-2
Page Count: 200
Publisher: Who Chains You Books
Review Posted Online: March 4, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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