A wrenching, complex novel that any fantasy fan would do well to pick up.
Koerber (The Eclipse Dancer, 2018, etc.) offers readers an embittered narrator, a dystopic near future, and an intriguing, nuanced treatment of magic, nature, and justice in this urban-fantasy tale.
Bob Fallon is half-human and “half-forest spirit from the wild hare clan,” and he owns one of the last remaining bits of forested land in northern Wisconsin. It would be easy for him to dismiss humankind entirely—and on some days, that’s exactly what he wants to do. His clan’s mantra of “feed, fuck, fight” has governed a lot of his life, and he can’t help but feel a smoldering rage about the destruction of the forests and other injustices in his surroundings. Koerber’s characterization of Bob is perhaps the book’s strongest element; the protagonist’s jaded, acidic attitude will put readers perfectly into a noirish mindset. At the same time, Bob does a great job of providing context, both for the decaying world he inhabits and for his own limited abilities: “since I’m a fairy, why can’t I fix things?” When Arne, one of his few friends, is jailed for failing to pay speeding tickets, Bob starts raising money for his release, but this is easier said than done, as Bob has spent years avoiding townspeople, doing begrudging odd jobs for them, or outright stealing from them—and the state adds Arne’s room and board to the fine every day. Bob works inside and outside the law as he runs afoul of local militia, a congressman with shady ties, and a host of other fairies, spirits, and tricksters. Overall, the story manages to weave together a complex tapestry of themes, from climate change to poverty to what qualifies as morality in a world that’s facing catastrophe. The prose is clear and concise throughout, giving readers a sense of each scene and character through the protagonist’s eyes.
A wrenching, complex novel that any fantasy fan would do well to pick up.Pub Date: June 12, 2019
ISBN: 978-1-946044-51-8
Page Count: 184
Publisher: Who Chains You Books
Review Posted Online: Aug. 16, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...
Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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