An unnamed therapist develops an unusual relationship with a client in Finnish author Lindstedt’s first book to be published in the U.S.
From the moment Natalia first shows up in the office of the narrator, a therapist who is neither named nor gendered, she proves she's not like other clients. She is the first to lie down on the office couch, the first to address a strangely magnetic painting hanging in the office, the first to bring an old-fashioned alarm clock to sessions and lay it on her stomach as she spins story after story of her past. The therapist diagnoses Natalia with “hypersexuality” and leads her through a treatment regimen the therapist calls “layering,” a “guided associative process” that consists of taking words from Natalia’s recollected stories and asking her to create stories that use the words in new ways. The effect is supposed to drag patients out of the “current” of their habitual thinking, resulting in deep changes to their thought processes. Like a lewd Scheherazade, Natalia weaves these new stories, collaging in poems, drawings, philosophy, and, most of all, epiphanies of her sexual life. As they move further into Natalia’s psyche, the therapist begins to wonder what Natalia’s true motives in seeking therapy may be. Lindstedt’s novel reads like the love child of a pornographer and a high theorist: Derrida meets Anaïs Nin. Ultimately, this is as much a novel about language as it is about sexuality or psychology, and translator Hackston has performed a virtuosic task capturing the Finnish pyrotechnics in English. Lindstedt may not be looking to make an exact analogy between the work of therapy and the work an artist does, but it’s hard not to read this as an ars poetica: “If you talk a lot,” the therapist says, “the sorrow might permanently change shape.”
Bawdy and beguiling.Pub Date: March 23, 2021
ISBN: 978-1-63149-817-6
Page Count: 240
Publisher: Liveright/Norton
Review Posted Online: Jan. 27, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Categories: GENERAL FICTION | LITERARY FICTION
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Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 27, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE | GENERAL FICTION
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SEEN & HEARD
SEEN & HEARD
The years pass by at a fast and steamy clip in Blume’s latest adult novel (Wifey, not reviewed; Smart Women, 1984) as two friends find loyalties and affections tested as they grow into young women. In sixth grade, when Victoria Weaver is asked by new girl Caitlin Somers to spend the summer with her on Martha’s Vineyard, her life changes forever. Victoria, or more commonly Vix, lives in a small house; her brother has muscular dystrophy; her mother is unhappy, and money is scarce. Caitlin, on the other hand, lives part of the year with her wealthy mother Phoebe, who’s just moved to Albuquerque, and summers with her father Lamb, equally affluent, on the Vineyard. The story of how this casual invitation turns the two girls into what they call "Summer sisters" is prefaced with a prologue in which Vix is asked by Caitlin to be her matron of honor. The years in between are related in brief segments by numerous characters, but mostly by Vix. Caitlin, determined never to be ordinary, is always testing the limits, and in adolescence falls hard for Von, an older construction worker, while Vix falls for his friend Bru. Blume knows the way kids and teens speak, but her two female leads are less credible as they reach adulthood. After high school, Caitlin travels the world and can’t understand why Vix, by now at Harvard on a scholarship and determined to have a better life than her mother has had, won’t drop out and join her. Though the wedding briefly revives Vix’s old feelings for Bru, whom Caitlin is marrying, Vix is soon in love with Gus, another old summer friend, and a more compatible match. But Caitlin, whose own demons have been hinted at, will not be so lucky. The dark and light sides of friendship breathlessly explored in a novel best saved for summer beachside reading.
Pub Date: May 8, 1998
ISBN: 0-385-32405-7
Page Count: 336
Publisher: Delacorte
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 1998
Categories: GENERAL FICTION
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