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EYES GLOWING AT THE EDGE OF THE WOODS

FICTION AND POETRY FROM WEST VIRGINIA

Not every piece in this thick volume is noteworthy, but those that are shine, and the cumulative effect is powerful. A...

Sixty-three contemporary writers from West Virginia provide a sense of place through its people.

Editors Long (Out of Peel Tree, 2014) and Van Gundy (A Life Above Water, 2007) bring together fiction and poetry to show a region as diverse as the people who make it up. The characters in these pages struggle to understand and to be understood. There is the Hindu grandfather in Rahul Mehta’s “Quarantine.” He is a stubborn man who insists on tradition and frustrates his grandson, but—like his grandson—he does not feel like home is where he belongs. In Jonathan Corcoran’s “Through the Still Hours,” a now-loveless gay couple celebrates their fourth anniversary with a crowd of straight friends. It's a sad, lonely affair for the protagonist. “This means a lot to them,” his partner stresses. “We’re the only gay couple they know.” Voices of children and the elderly feature prominently. The child of Scott McClanahan’s “Picking Blackberries” is rendered in beautiful, realistic detail, from the hat he longs for and then resents to the Velcro tennis shoes that he believes give him special speed. An excerpt from Jayne Anne Phillips' novel Lark and Termite is particularly memorable. A young girl takes care of her nonverbal half brother, a boy nicknamed Termite. It is clear she will be his caretaker all her life. She can see him as others do, but she knows him much more deeply. “I think he’s in himself like a termite’s in a wall,” she says. Similarly, in Jessie van Eerden’s “Edna,” the pain of the eponymous elderly protagonist is only one part of her dynamic character. Nostalgia is a frequent theme in many of the poems and stories, including those of Ron Houchin, Cheryl Denise, and Kent Shaw. The natural world plays a role too, as in Matthew Neill Null’s “Natural Resources,” which traces the patterns of the bear population and the human causes for it. Even characters with jobs more commonly associated with Appalachia are seen with a depth that makes them new. Maiden Estep, the miner in Sheryl Monks’ “Robbing Pillars,” suffers a loss that is almost magical in its abruptness.

Not every piece in this thick volume is noteworthy, but those that are shine, and the cumulative effect is powerful. A collage of a region that is greater than the sum of its parts.

Pub Date: March 1, 2017

ISBN: 978-1-943665-54-9

Page Count: 336

Publisher: Vandalia Press/West Virginia Univ.

Review Posted Online: Dec. 17, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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