A satisfyingly complex and profound collection.
A writer and translator explores the relationship between human presence and place.
Some call the current era the Anthropocene, emphasizing the way humans have altered the planet, but others call it the Eremocene, or “the Age of Loneliness.” For Marris, this second name is especially apt because of all the manmade ecological losses that are occurring globally on a daily basis. In the essay “Cancerine,” she observes that horseshoe crabs, once prized for the nitrogen-rich shells farmers use as fertilizer and later for the blood scientists use to test for vaccine safety, have slowly declined in Long Island Sound. “Is it possible,” she asks, “to pinpoint the moment an ecosystem becomes a stage set in a vast passion play among people, and if so, can this anthropocentrism be reversed?” As we manage to carry on in a hostile world, while the living things that have helped us survive go extinct, we have all grown increasingly lonely. The Earth itself—the air, the water, the land—also bears the brutal mark of human predation. Airplanes compete for space with birds in the sky, “ingesting” them while most air travelers, isolated from this truth in lonely, human-centric worlds, remain largely unaware of the damage caused. All over the world, natural spaces, like the once dangerously polluted Love Canal area near where the author lives, carry traces of old toxicities. Yet as Marris comes to understand in her essay “The Echo,” despite being mostly abandoned for the suffering it caused, the land—which is gradually being restored—is still worthwhile not just for the hope of planetary healing and human redemption it offers, but also for the promise of home and the “closeness [and] company” of others, which are fundamental to living a meaningful life in a changing world.
A satisfyingly complex and profound collection.Pub Date: Aug. 6, 2024
ISBN: 9781644452943
Page Count: 208
Publisher: Graywolf
Review Posted Online: May 10, 2024
Kirkus Reviews Issue: June 15, 2024
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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