Well-written, convincing and impossible to put down.
Another novel of troubled mothers and daughters from Moriarty (The Center of Everything, 2003), whose straightforward, unadorned prose speaks on some level to every woman.
Leigh and her older sister Pam came up the hard way, always the new kids at school in one nameless town after another because their divorced mother kept changing jobs. Left to fend for herself when Mom moved alone to California, Leigh struggled to make it through college. In addition to a degree in education, she also picked up Shakespearean grad student Gary. As the book opens, the couple lives in a small Kansas town; Gary teaches at the local university, Leigh at the middle school. Their daughter Kara, just about to graduate from high school and leave for college, is a golden girl who doesn’t find it easy to relate to her mother. Younger child Justin, engaging but friendless, longs for acceptance from his peers. The middle-class family’s seemingly golden life hits a bump in the road when Kara, driving home from school, accidentally strikes a fellow student in a pedestrian crossing and kills her. The small town that had seemed like a protective blanket suddenly becomes a city of eyes, watching and prying—or at least that’s how the family perceives it. As Kara struggles with her conscience, Leigh finds herself unable to connect with her own daughter. She remembers her hardscrabble childhood and the mother she swore never to emulate. In this compelling story of female relationships—mothers, sisters, daughters and best friends—Moriarty’s characters grab readers the minute they enter the story, and recollections of their vivid personalities will linger long after the last page.
Well-written, convincing and impossible to put down.Pub Date: Aug. 7, 2007
ISBN: 978-1-4013-0271-9
Page Count: 320
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2007
Deft narration fails to eclipse the inherent shortcomings in this patchy satire of entitlement (literally) with sentimental...
An eccentric family of British aristocrats, their decaying ancestral home, and the financial crash of 2008 are the ingredients of Rothschild's (The Improbability of Love, 2015, etc.) romantic/comic fairy tale.
Downton Abbey has nothing on 800-year-old Trelawney Castle with its four miles of hallways, a room for each day of the year, and 85 members of staff. But that was in its heyday. Now Kitto, the future 25th Earl of Trelawney, is on his financial uppers, presiding over a freezing, crumbling semi-ruin. His wife, Jane, has sunk her own money into the castle but is still struggling to feed herself, their three children, and Kitto’s aging parents, the current earl and countess. Kitto’s sister Blaze, a talented stock picker at a London hedge fund, does have some money, but her company has just been bought by ruthless opportunist Thomlinson Sleet, which puts her in jeopardy. The plot starts to move when Jane and Blaze receive letters from their old college friend Anastasia, now dying and asking them to care for her daughter, Ayesha. The banking crisis swallows Kitto’s remaining money, and Jane kicks him out. After a family death, Blaze comes to the castle’s rescue, although she's distracted by an on-and-off love affair with much nicer hedge fund squillionaire Joshua Wolfe. Rothschild writes well about these elite milieus, but hers is a broad, pantomime-ish tale stocked with simple, one-dimensional characters: flabby villain Sleet; indefatigably decent, endlessly deferred Wolfe; tirelessly sneery oldest son Ambrose. The flow is uneven—Kitto disappears for half the story; Blaze is exhaustingly inconsistent—and the book is both long and weakly paced. Trelawney does, however, finally get the upgrade it needs, and its dysfunctional family may be positioned for a sequel.
Deft narration fails to eclipse the inherent shortcomings in this patchy satire of entitlement (literally) with sentimental touches.Pub Date: Feb. 11, 2020
ISBN: 978-0-525-65491-9
Page Count: 368
Publisher: Knopf
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Platzer writes confidently about marriage and illness, but there's too much else going on.
A New York couple faces medical and personal difficulties during the national malaise of the Trump years.
When we meet Tess, a Broadway understudy and mother of two, she is celebrating her 37th birthday alone in a bar. Eight months ago, shortly after she confessed to cheating on him with a fellow actor, her husband, David, fell off a long ladder at an upstate New York apple-picking orchard, and his head injuries resulted in a debilitating, long-term vestibular disorder (also suffered by the author). Once filled with so much “buoyancy and good cheer” that he would dance upon getting up in the morning, now David feels leaden and can barely function. As he writes in a journal Tess reads without permission, "Some days I think I’m lucky to be with someone who’s suffered. Seen what she’s seen and survived true depression. Other days I think I need someone less damaged, someone who can devote herself more fully to helping me.” The journal also documents David's desperate visits to alternative practitioners that ultimately do nothing but ruin the family financially. There are many more complications—too many—some having to do with Tess’ past, other with David’s best friend, Tazio (whom David nursed back to health after liver failure and whom Tess is in love with), and Tazio's fiancee, Angelica. Tazio is an art student–turned-politico, and his story arc contains, among other things, a deep dive into the John Edwards campaign and a position in the Trump administration. As he makes the rounds of the male and female characters, Platzer (Bed-Stuy Is Burning, 2017) often seems to be searching for answers himself. For example, after Tess and Angelica attempt to resolve their past traumas by pairing up for #MeToo type confrontations, the author tries to evoke Tess' state of mind with a series of questions: “Maybe…seeing your father kill your mother is something you can’t ever get over. Maybe it is worse than rape, especially if you loved your rapist.” Elsewhere: “What if Tazio is planning on killing Trump?” Fewer storylines and less topical content might have helped.
Platzer writes confidently about marriage and illness, but there's too much else going on.Pub Date: March 3, 2020
ISBN: 978-1-5011-8077-4
Page Count: 320
Publisher: Atria
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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