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ELLA MCBELLA IN THE DARK

An entertaining and reassuring story, but it puts problem-solving entirely on kids’ shoulders.

A girl uses her imagination to handle nighttime fears in this debut picture book.

With her orange hair, freckles, and round blue eyes, Ella McBella is a cheerful-looking White girl, and she’s got plenty of energy for riding her bike and playing outdoors. She also loves just lying on the grass and gazing at clouds. As the day ends, Ella’s jubilation begins to wane, though she does enjoy her dinner and, later, a bedtime story and cuddles. When the lights are out, Ella’s worries begin. She hears sinister noises in the wind, and the shadows in her room turn into scary monster shapes. But Ella takes action to feel better, gathering her teddy bears, reading favorite books by flashlight, and watching the antics of animals outside. Soon, she’s peacefully asleep. In her engaging story, Pells writes rhyming couplets that have a nicely regular meter and vivid word choices: “The shapes change and morph from tree branches to blobs, / growing pointy, long horns and moving in mobs.” She promotes resilience, a laudable goal, but experts point out that frightened kids do need help from adults first—something the tale doesn’t model. Trimarco, an experienced illustrator, contributes playful colored-pencil drawings with cute, Sesame Street–style monsters.

An entertaining and reassuring story, but it puts problem-solving entirely on kids’ shoulders.

Pub Date: May 4, 2021

ISBN: 978-1-73335-481-3

Page Count: 36

Publisher: Notable Kids Publishing

Review Posted Online: April 11, 2021

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TINY T. REX AND THE IMPOSSIBLE HUG

From the Tiny T. Rex series

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE INVISIBLE BOY

Accessible, reassuring and hopeful.

This endearing picture book about a timid boy who longs to belong has an agenda but delivers its message with great sensitivity.

Brian wants to join in but is overlooked, even ostracized, by his classmates. Readers first see him alone on the front endpapers, drawing in chalk on the ground. The school scenarios are uncomfortably familiar: High-maintenance children get the teacher’s attention; team captains choose kickball players by popularity and athletic ability; chatter about birthday parties indicates they are not inclusive events. Tender illustrations rendered in glowing hues capture Brian’s isolation deftly; compared to the others and his surroundings, he appears in black and white. What saves Brian is his creativity. As he draws, Brian imagines amazing stories, including a poignant one about a superhero with the power to make friends. When a new boy takes some ribbing, it is Brian who leaves an illustrated note to make him feel better. The boy does not forget this gesture. It only takes one person noticing Brian for the others to see his talents have value; that he has something to contribute. Brian’s colors pop. In the closing endpapers, Brian’s classmates are spread around him on the ground, “wearing” his chalk-drawn wings and capes. Use this to start a discussion: The author includes suggested questions and recommended reading lists for adults and children.

Accessible, reassuring and hopeful. (Picture book. 5-7)

Pub Date: Oct. 8, 2013

ISBN: 978-1-582-46450-3

Page Count: 40

Publisher: Knopf

Review Posted Online: Aug. 20, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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