Familiar objects, playful language, and imaginative action add up to a collection that will amuse young listeners and,...

IN THE MIDDLE OF THE NIGHT

POEMS FROM A WIDE-AWAKE HOUSE

Short poems describe the adventures of inanimate objects found in a young child’s house at night.

Initial poems come from the perspective of brightly colored animal toys, stuffed and otherwise, who are ready for a raucous night of play after their human child falls asleep. Art supplies, an errant library book, items of clothing, and even a toilet, among other things, offer their points of view in the pages that follow. Some poems appear on double-page spreads; in other cases two or three poems are featured in the same amount of space accompanied by vignettes. The poems vary in form and impact, but the feel overall is cheery and energetic. Two of the most engaging and recognizable forms, acrostic and concrete, bring the parents’ belongings to life: A bottle of fragrance laments her immobile state, and a necktie uses humorous wordplay to describe its function. Matteson’s paintings, created in acrylics and gouache with colored pencil, employ multiple shades of blue as background to evoke the nighttime setting. Brighter shades and unusual perspectives match the liveliness of the text. Simply drawn faces on the objects convey emotions effectively, while stick-figure–style arms and legs provide the means of locomotion and heighten the whimsical tone. The child who sleeps through this activity has beige skin and straight, dark hair.

Familiar objects, playful language, and imaginative action add up to a collection that will amuse young listeners and, perhaps, inspire them to undertake imaginative explorations of their own . (Picture book/poetry. 3-8)

Pub Date: March 12, 2019

ISBN: 978-1-62091-630-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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A lyrical coming-of-age story in picture-book form that begs to be shared.

IMAGINE

Former Poet Laureate Herrera encourages his young readers to imagine all they might be in his new picture book.

Herrera’s free verse tells his own story, starting as a young boy who loves the plants and animals he finds outdoors in the California fields and is then thrust into the barren, concrete city. In the city he begins to learn to read and write, learning English and discovering a love for words and the way ink flows “like tiny rivers” across the page as he applies pen to paper. Words soon become sentences, poems, lyrics, and a means of escape. This love of the word ultimately leads him to make writing his vocation and to become the first Chicano Poet Laureate of the United States, an honor Herrera received in 2015. Through this story of hardship to success, expressed in a series of conditional statements that all begin “If I,” Herrera implores his readers to “imagine what you could do.” Castillo’s ink and foam monoprint illustrations are a tender accompaniment to Herrera’s verse, the black lines of her illustrations flowing across the page in rhythm with the author’s poetry. Together this makes for a charming read-aloud for groups or a child snuggled in a lap.

A lyrical coming-of-age story in picture-book form that begs to be shared. (Picture book/memoir. 4-8)

Pub Date: Oct. 2, 2018

ISBN: 978-0-7636-9052-6

Page Count: 32

Publisher: Candlewick

Review Posted Online: Aug. 27, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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New readers will be eager to follow such unconventional instructions, and experienced readers will recognize every single...

HOW TO READ A BOOK

A linguistic and visual feast awaits in Alexander and Sweet’s debut collaboration.

If the mechanics of deciphering words on a page is a well-covered topic, the orchestration of finding magic between pages is an art emphasized but unexplained…until now. First things are first: “find a tree—a black tupelo or dawn redwood will do—and plant yourself.” Once settled, take the book in hand and “dig your thumb at the bottom of each juicy section and pop the words out…[then] // Squeeze every morsel of each plump line until the last drop of magic / drips from the infinite sky.” Reading, captured here in both content and form, is hailed as the unassailably individual, creative act it is. The prosody and rhythm and multimodal sensuousness of Alexander’s poetic text is made playfully material in Sweet’s mixed-media collage-and-watercolor illustrations. Not only does the book explain how to read, but it also demonstrates the elegant and emotive chaos awaiting readers in an intricate partnership of text and image. Despite the engaging physicality of gatefolds and almost three-dimensional spreads, readers with lower contrast sensitivity or readers less experienced at differentiating shapes and letters may initially find some of the more complex collage spreads difficult to parse. Children depicted are typically kraft-paper brown.

New readers will be eager to follow such unconventional instructions, and experienced readers will recognize every single step . (Picture book. 4-7)

Pub Date: June 18, 2019

ISBN: 978-0-06-230781-1

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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