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THE ART OF VANISHING

A MEMOIR OF WANDERLUST

A bravely introspective tale of wanderlust and lustful wandering.

One woman investigates the life and mysterious disappearance of the promising free-spirited writer Barbara Follett (1914-1939) while attempting to retain her own sense of freedom within her marriage.

As a young woman, Smith “was ambivalent about marriage.” She was not ready to take on the domesticity, set routines, and stereotypical family life that she believed anchored one firmly to a place and responsibilities. Though she loved her fiance and shared his love of adventure, she wondered if there was a way to be together and yet still remain untethered enough to avoid the traditional roles she grew up with. While working on a writing project on Follett, Smith could not help but note the similarities to her own life’s struggles and desires for freedom and adventure. The domestic life was not a good fit for Follett, either, and after months of struggling to win her husband back from an affair, one night she disappeared, never to be seen again. In seeking to avoid the predictability of a traditional marriage, Smith and her now-husband set out to see Southeast Asia for a year while she attempted to discover where Follett went after that night, with theories ranging from sailing abroad to murder. After returning to the U.S., Smith and her husband, appetite for adventure whetted, embarked on a different experiment: open marriage. She admits that “historical examples [of open marriage] hardly suggested it was a path to unalloyed bliss.” In discussing this arrangement, Smith does not attempt to hide her longing for freedom and experimentation under the guise of excuses; rather, she looks deeply and unflinchingly at her motivations and the resulting consequences. With alternating chapters that compare Follett’s life, early adventures, and relational issues with Smith’s, the narrative assumes an interesting mirroring effect. However, where Follett chose to steal off into the night, remaining a mystery, Smith decided to be seen, blemishes and all.

A bravely introspective tale of wanderlust and lustful wandering.

Pub Date: Feb. 6, 2018

ISBN: 978-0-399-56358-4

Page Count: 272

Publisher: Viking

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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