by Laura Vazquez ; translated by Alex Niemi ‧ RELEASE DATE: Sept. 30, 2025
Grotesquely inventive and amusing, like a corner torn from a Hieronymus Bosch painting.
A family tragedy anchors this absurdist first novel by French poet Vazquez.
In an unnamed city, teenage siblings Salim and Sara live with their father, who cleans compulsively. The family is broke. The kids skip school and don’t have jobs. They sometimes look for their absent mother, visit their terminally ill grandmother, or post poems and videos online. Seeming traumatized and aimless, they scroll on their phones and hang out with a pill-popping friend, Jonathan, whose family died in a suicide cult, and a man called the roommate who burns things and fights a lot. Vazquez mingles their thoughts, conversations, emotions, and backstory, mirroring the frenzied brain rot and beauty of online life, forming an unreal but gripping portrait of digital-age despair and existentialism. Niemi’s translation speeds along terse and dense with endless chatter and poetic turns—“Do dead people have internet?” “For nature, time is nothing,” “Reality wasn’t fair, it wasn’t normal”—set against a backdrop of gruesome, real-world mortality, including many scenes of torture, disease, and bodily decay. The kids have no adult support or role models. The siblings’ father acknowledges he’s letting their grandmother die and offers useless life advice: “If you throw a cake in the forest, when you go back to the forest, you will find a cake. Share.” It’s a rigorously unsettling reading experience, without plot, tension, or character development. But the details and countless vignettes deliver an immense range of emotion. When the roommate asks Jonathan, “Do you actually have a religion, other than taking pictures of yourself?” he’s genuinely curious, not mocking. Amid so much emptiness, with immense appetites for meaninglessness, these young people are at least always talking and keeping a small circle of people close.
Grotesquely inventive and amusing, like a corner torn from a Hieronymus Bosch painting.Pub Date: Sept. 30, 2025
ISBN: 9781948980272
Page Count: 296
Publisher: Dorothy
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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