by Laura Wall ; illustrated by Laura Wall ‧ RELEASE DATE: June 1, 2015
What adventures will Sophie and Goose have next? (Picture book. 3-7)
Sophie and her friend Goose are again parted, this time for Sophie’s first day of school, but just as in their first outing, Goose (2015), they aren’t separated for long.
Although “Mom says geese aren’t allowed in school,” that doesn’t stop Goose from following Sophie, “flappy footsteps” clearly audible. And she even spots the fowl in the schoolyard before her mom leaves. Sophie’s first-day nervousness lessens a great deal when Goose appears in her classroom, though her teacher is not impressed. But when Sophie stows Goose under her desk, her teacher can’t spy the bird anymore, though careful readers will. Recess with Goose is especially good fun, and her old friend helps her make some new ones to ease the school transition. When they troop back inside for art, Goose plays on the swings, patiently waiting for Sophie, and the whole class draws Goose during art. The illustrations, drawn with charcoal and then digitally colored, are filled with brilliant colors that really make the white-and-yellow Goose and yellow-haired, red-frocked Sophie pop off the pages. All the characters are white—literally; they are simply black outlines with different-colored hair, none black—and the delightful Goose is very droll, rarely showing any emotion.
What adventures will Sophie and Goose have next? (Picture book. 3-7)Pub Date: June 1, 2015
ISBN: 978-0-06-232437-5
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
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by Laura Wall ; illustrated by Laura Wall
by Laura Wall ; illustrated by Laura Wall
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by Laura Wall ; illustrated by Laura Wall
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by Laura Wall ; illustrated by Laura Wall
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by Laura Wall ; illustrated by Laura Wall
by Sarah Asper-Smith ; illustrated by Mitchell Watley ‧ RELEASE DATE: Nov. 12, 2019
Instills a sense of well-being in youngsters while encouraging them to explore the natural world.
This reassuring picture book exemplifies how parents throughout the animal kingdom make homes for their offspring.
The narrative is written from the point of view of a parent talking to their child: “If you were a beaver, I would gnaw on trees with my teeth to build a cozy lodge for us to sleep in during the day.” Text appears in big, easy-to-read type, with the name of the creature in boldface. Additional facts about the animal appear in a smaller font, such as: “Beavers have transparent eyelids to help them see under water.” The gathering of land, air, and water animals includes a raven, a flying squirrel, and a sea lion. “Home” might be a nest, a den, or a burrow. One example, of a blue whale who has homes in the north and south (ocean is implied), will help children stretch the concept into feeling at home in the larger world. Illustrations of the habitats have an inviting luminosity. Mature and baby animals are realistically depicted, although facial features appear to have been somewhat softened, perhaps to appeal to young readers. The book ends with the comforting scene of a human parent and child silhouetted in the welcoming lights of the house they approach: “Wherever you may be, you will always have a home with me.”
Instills a sense of well-being in youngsters while encouraging them to explore the natural world. (Informational picture book. 3-5)Pub Date: Nov. 12, 2019
ISBN: 978-1-63217-224-2
Page Count: 32
Publisher: Little Bigfoot/Sasquatch
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Sarah Asper-Smith ; illustrated by Mitchell Watley
by Ben Hatke ; illustrated by Ben Hatke ‧ RELEASE DATE: Sept. 29, 2020
This magical wisp of a story has an imaginative message for both planners and improvisers.
Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.
Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)
This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)Pub Date: Sept. 29, 2020
ISBN: 978-1-250-19137-3
Page Count: 40
Publisher: First Second
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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