Simple, elegant design produces a title with high appeal for the preschool set.


From the Sophie and Goose series

Young Sophie is portrayed with yellow hair and a red dress and smiles out at readers as the story begins. Soon she makes the acquaintance of a most amiable goose.

Sophie is like many girls. She enjoys her dolls and dressing up. But sometimes she is lonely playing by herself. Even when her mother takes her to the park, she opts for the slide and swings instead of the seesaw. “Sophie wishes she had a friend to play with.” On the facing page is an ovular bit of golden yellow on the right that catches the narrator’s attention: “But wait. What’s that?” The page turn reveals Sophie’s surprised excitement at meeting Goose. They play all day. “When it is time to go home, Goose wants to come, too.” Unfortunately, Mom, always pictured from the hip down, disagrees. But Goose is at the park the next day. They play until Goose sees some of his fellow geese heading south. Saddened, Goose and Sophie give each other a fierce goodbye hug. Thankfully, their parting is short-lived—and this time, Mom says he can come home. Wall’s spare text allows her thick-lined, childlike illustrations to fully convey the tale’s emotional arc. The white and yellow used for both Sophie and Goose glow brilliantly against the vibrant hues chosen for the background.

Simple, elegant design produces a title with high appeal for the preschool set. (Picture book. 3-5)

Pub Date: Feb. 3, 2015

ISBN: 978-0-06-232435-1

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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Aspirational—but not quite ascending to the inspirational.


Explores different ways one’s voice can be used.

The unidentified narrator begins by chronicling different types of voices: “loud and proud,” “soft and sweet,” “patient and wise,” and more. The Deaf community is included in both text and art, and sign language is alluded to: “There’s a voice that is silent / but STILL CAN BE HEARD / with hands that move / to speak EVERY word.” The vibrant, colorful art presents an array of children of different races and skin tones. Unfortunately, this well-meaning book does not cohere. The art in some spreads does not appear to augment or even connect to the text. For example, the lines “I’LL SAY NO TO HATE / by using this voice / and ALWAYS CHOOSE LOVE— / a magical choice” are illustrated with a spread of four children: one playing the trumpet, another singing, one with a drum major’s hat and baton, and the final child skateboarding. Readers may be confused by how these images apply to the text since they have no direct relation to saying no to hate or choosing love. Spreads with children holding protest signs feel disconnected to the present moment with no Black Lives Matter or BLM–related signs depicted. Some text excludes nonbinary children, asserting “we’re SISTERS / and BROTHERS.”

Aspirational—but not quite ascending to the inspirational. (Picture book. 3-5)

Pub Date: July 13, 2021

ISBN: 978-0-593-35218-2

Page Count: 32

Publisher: Flamingo Books

Review Posted Online: May 19, 2021

Kirkus Reviews Issue: June 1, 2021

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Exciting artwork paired with disappointingly dull text.


Rhyming verses about kindness using a consistent metaphor of widening cracks versus blooming plants are amplified by cutouts on each page.

The art and layout are spectacular, from the cover through the double-page spreads near the end. Racially diverse toddlers are shown engaging in various moods and behaviors, some of which create unhappiness and some of which lead to friendship and happiness. Every page’s color palette and composition perfectly complement the narrative. The initial verso shows two children in aggressive stances, backgrounded by a dark, partly moonlit sky. Between them is a slender, crooked cutout. The large-type text reads: “It all / starts / with a / crack / that we can hardly see. / It happens when we shout / or if we disagree.” The recto shows two children in sunlight, with one offering a pretty leaf to the other, and the rhyme addresses the good that grows from kindness. In this image, the crooked die cut forms the trunk of a tiny sapling. Until the final double-page spreads, the art follows this clever setup: dark deeds and a crack on the left, and good deeds and a growing tree on the right. Unfortunately, the text is far from the equal of the art: It is banal and preachy, and it does not even scan well without some effort on the part of whomever is reading it. Still, the youngest children will solemnly agree with the do’s and don’ts, and they may decide to memorize a page or two.

Exciting artwork paired with disappointingly dull text. (Picture book. 3-5)

Pub Date: Sept. 22, 2020

ISBN: 978-1-68010-229-1

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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