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IF THE SHOE FITS

VOICES FROM CINDERELLA

A deeply satisfying version of the Cinderella tale, in the story-in-verse form that has become so popular in the past few years. The voices and point-of-view change, as do the verse structures, but the traditional story propels itself in slightly darker and more nuanced complexity throughout. It opens with an elderly Ella, and then the ghost of her father, who married again too soon after the death of his wife. The spiteful and bitter voice of the stepmother clangs harshly; the sweet and daffy one of the godmother is heard making a list for the ball. The king wants to cease ruling and study his butterflies; the prince is lonely and morose. It’s the cat—in feline, mysterious wordplay—who is the link between Ella and the godmother; there’s a funny poem about how the rat feels in coachman form; and a curiously touching one in the Queen’s voice, wondering how to welcome Ella, and what to do about the stepsisters. Beingessner’s fluid images, from full pages to tiny vignettes, capture in their agitated line and fine color the intensity of the text. The questions everyone asks—did they live happily ever after? What about the magic?—remain unanswered: “Once upon your own time, / you will sing your own tale. / You will have your own / ticking clocks and / chiming bells and / enchantments, you know. / Gather your life / and go.” (Folktale/poetry. 10+)

Pub Date: June 1, 2002

ISBN: 0-689-84070-5

Page Count: 80

Publisher: McElderry

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2002

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THE SCHOOL STORY

A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)

Pub Date: June 1, 2001

ISBN: 0-689-82594-3

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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IQBAL

This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)

Pub Date: Nov. 1, 2003

ISBN: 0-689-85445-5

Page Count: 128

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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