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THE ENGINE WOMAN'S LIGHT

A coming-of-age story that thoughtfully blends mysticism and adventure.

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In this dystopian YA novel set in an alternate, steampunk-y version of California, a teenage girl gets mystical visions of tasks that she must perform to save her people.

In 1894, the village of Promise in North California has long helped passengers from a nearby train line that carries the unwanted—lepers, refugees, the elderly, abandoned children—to a workhouse/asylum in British South California. Juanita Elise Jame-Navarro was rescued from the train and brought to Promise as a baby; now 15, she’s become a “mystic traveler” for her tribe. From the Shadow World, she gets a mission to sabotage the workhouse train because a new superintendent plans to cut expenses by killing the asylum’s “expendables.” Juanita has spirit guides to help, such as her ancestor Billy, a locomotive engineer who addresses her as “Little Engine Woman.” After the sabotage, her plan is to escape southward to Mexico, which brings its own dangers—especially from the cruel and powerful Mendoza family. But the planned explosion goes wrong, killing some Promise folk—likely including Juanita’s beloved, Galen—and leaving herself injured. Pilgrims rescue her and take her to their village; feeling betrayed by the Shadow World and heartbroken over Galen, Juanita bides her time. Two years later, Billy again insists on a perilous sabotage mission, this time involving the unscrupulous Antonio Mendoza. Billy believes that the Mendozas can be outsmarted and perhaps even motivated to shut down or clean up the asylum. Juanita’s new quest is to steal a train, blast the tunnels, look for Galen, and recover Carla, an asylum-bound baby. During her mission, she’ll learn startling truths about her family history and discover new strengths. Many sci-fi and fantasy novels are organized around a quest. Although Juanita does indeed solve problems and cover some ground, these are secondary to her maturing understanding of herself, history, the Shadow World, and relationships in both the spirit and human realms. Like Ursula K. Le Guin, Hill (Heroes Arise, 2008) pays attention to the anthropology of her invented culture in ways that enrich the story greatly, often in details that subtly underscore how the society both resembles and differs from our own. For example, Juanita worries about being too plump, but she also likes the soft black hair on her legs because she sees it as feminine. The steampunk influence is also subtle; some characters wear top hats with goggles, and there’s a clockwork man and a mystical tin airship. Steam trains are also important, of course, and Hill has researched their operations well. But this is a book about people, not inventions, and its emphasis is on its characters’ choices and their consequences, as when Juanita wonders, “Who would I be by the time I stopped the asylum train, found Galen and rescued Carla?” However, philosophical musings don’t take the book over, either. Tough, painful, and real things happen to Juanita, making her determination to carry through her mission all the more heroic.

A coming-of-age story that thoughtfully blends mysticism and adventure.

Pub Date: Jan. 12, 2017

ISBN: 978-1-937818-80-7

Page Count: 350

Publisher: Sand Hill Review Press

Review Posted Online: July 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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