by Laurell K. Hamilton ‧ RELEASE DATE: Oct. 3, 2000
Remnants of ritual flicker all over. Call it the glamour, precious. Spells! There’s a lot of crazy stuff lurking under the...
The stylish creator of nine Anita Blake, Vampire Hunter, novels (Obsidian Butterfly, 1999, etc.) launches a charm-bearing new series in erotic dark fantasy.
Meredith Gentrey is a mock human being, a Los Angeles private eye who also happens to be a Faerie princess and, among others, tracks down fey, semihuman suspects. She’s also the mortal niece of the Queen of Air and Darkness, who can hear any word spoken anywhere in darkness. Meredith works for Jeremy Grey, a 400-year-old trow who owns and runs the high-profile Grey Detective Agency. But, Goddess knows, this glowing shamus goes on no quest that would interest a moral knight-errant like Sam Spade. As in the slightly futurist Anita Blake series, wherein the FBI and other forces admit the existence of vampires, witches, and zombies, Meredith (descended from five different fertility deities) has the option of going to the Bureau of Human and Fey Affairs should she dare go public about her real nature or be outed. The Grey Agency specializes in supernatural cases, as do many detective agencies across the States. But she’s hiding out from the sidhe and the Royal Court. Then the Queen sends her henchman Doyle, who has green flames in his eyes, to unearth Meredith-of-the-blood-auburn-hair and give her a kiss, passing the Queen’s mark onto Merry: “He kissed me like he was trying to climb inside me through my mouth.” The Queen’s order: Merry must return to the Unseelie Court, where the Queen agonizes over mongrelization of her court with human blood. Now she orders her niece to bear a child to carry on her bloodline.
Remnants of ritual flicker all over. Call it the glamour, precious. Spells! There’s a lot of crazy stuff lurking under the L.A. smog, and this Hamilton lady has seen all the brownies and goblins.Pub Date: Oct. 3, 2000
ISBN: 0-345-42339-9
Page Count: 448
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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