by Lauren Beukes ‧ RELEASE DATE: June 4, 2013
Despite thrillingly beautiful sentences, Beukes’ considerable imaginative powers seem wasted in this shallow, often ugly...
Beukes carries her experimentation in science fiction (Moxyland, 2010) and fantasy (Zoo City, 2010) to very dark corners as she follows a time-traveling serial killer who preys on young Chicago women from the 1930s until the 1990s.
In 1974, a little girl named Kirby takes a toy pony from a strange man in his 30s named Harper. In 1931, Harper, a tramp no older or younger than in 1974, hears and follows mysterious music to a boarded-up tenement and opens the front door with a key he has found in the pocket of a coat he stole earlier that night. Inside the house, which is elegantly furnished, is a man’s dead body. On the bedroom wall are the names of girls possessing a special glow that he must extinguish (and his first victim is a young showgirl with a literal glow about her from the radium she uses in her act). Each time Harper leaves his house, he can travel in time. He marks his victims first by giving them small gifts, then returns years later to kill them. And he returns again and again to 1931. Because of his ability to travel in and out of the 60-year time frame, he avoids suspicion. But there are glitches. In 1951, the transgender showgirl he met in 1940 kills herself before he can kill her. In 1993, an artist turned crack addict has already lost her shine by the time he strikes. And Kirby, whom Harper assumes he has killed in 1989, has managed to survive. By 1993, when Harper’s pace has sped up, Kirby is a student intern for attractive, middle-aged newspaper reporter Dan, who covered the story of her attack. Tracking her assailant, Kirby begins to suspect the bizarre nature of Harper’s vicious killing spree.Despite thrillingly beautiful sentences, Beukes’ considerable imaginative powers seem wasted in this shallow, often ugly game of cat and mouse tarted up with supernatural elements that do not bear too much scrutiny.
Pub Date: June 4, 2013
Page Count: 368
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Pub Date: June 16, 2020
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Pub Date: March 17, 2020
Page Count: 352
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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