A bloody, action-stuffed rescue mission in the supernatural world of the Fae.
In Book 2 of Horowitz’s (Shattered Blue, 2015) YA fantasy series, The Light Trilogy, a teen’s battle with brutal metaphysical forces develops her inner skills.
Teenager Noa Sullivan and her two Fae companions, brothers Callum and Judah Forsythe, dive into a collapsing Portal that allows travel between Monterey, California, and the world of Aurora, home to the Fae. They find themselves in an alternate universe where Noa must develop her own innate strengths—human and nonhuman—to rescue her little sister, Sasha. Noa’s love for Sasha spurs her to battle mystical forces in Aurora, and the Forsythe brothers’ belief in Sasha’s paranormal powers, unusual even among the Fae, causes them endless conflict over the best way to keep her safe. The new, cruel ruler of Aurora imprisons Callum and Judah, and Noa persists in her hunt for Sasha, encountering multiple physical trials along the way and assembling a posse of girl helpers. The action is relentless. Noa’s physical trials are central to her character development—the tasks hone her latent abilities to master her physical environment and are often grisly. Noa sustains a shattered shoulder, plummets down a chute so violently she assumes she’s dead, and is “slammed against one wall and then another” by a flood’s rushing waters. The reader may feel as pummeled as Noa as the gore and Fae body count pile up: “The rush of Fae slipped and fell, crashing through the now blood-and-flesh slopped spikes.” However, the strong, active storyline and deft worldbuilding help override potential reader fatigue, and YA fans will be hooked by Noa’s badassery.
A bloody, action-stuffed rescue mission in the supernatural world of the Fae.Pub Date: March 14, 2017
ISBN: 978-0-9745956-7-2
Page Count: 432
Publisher: Papaloa Press
Review Posted Online: March 13, 2017
Kirkus Reviews Issue: May 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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