Groff’s trademarkworthy sentences bring vivid buoyancy to a magisterial story.

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Set in early medieval Europe, this book paints a rousing portrait of an abbess seizing and holding power.

After the spicy, structurally innovative Fates and Furies (2015), Groff spins back 850 years to a girl on a horse: “She rides out of the forest alone. Seventeen years old, in the cold March drizzle, Marie who comes from France.” The inspiration is a historical figure, Marie de France, considered the first woman to write poetry in French. Groff gives her a fraught, lifelong, sexually charged tie to Eleanor of Aquitaine. A matrix, which comes from the Latin for mother, builds implacably between Eleanor and Marie. But in the first chapter, the queen rids the court of an ungainly, rustic Marie by installing her in a remote English convent, home to 20 starving nuns. The sisters hang the traveler’s clothes in the communal privy, where “the ammonia of the piss kills the beasties”—the lice. After a long sulk, Marie rouses herself to examine the abbey’s disastrous ledgers, mount her warhorse, and gallop forth to turn out the family most egregiously squatting on convent land. News spreads and the rents come in, “some grumbling but most half proud to have a woman so tough and bold and warlike and royal to answer to now.” The novel is at its best through Marie's early years of transforming the ruined, muddy convent, bit by bit, into a thriving estate, with a prosperous new scriptorium, brimming fields, and spilling flocks, protected by a forest labyrinth and spies abroad. In this way, Marie forestalls the jealous priests and village men plotting against her. Readers of Arcadia (2012), Groff’s brilliantly evocative hippie commune novel, will remember her gift for conjuring life without privacy. And she knows a snake always lurks within Eden. The cloister witnesses lust, sex, pregnancy, peril. Marie has visions of the Virgin Mary, 19 in all, but these passages stay flat. Medieval mystics, unsurprisingly, write better about mysticism. The gesture toward a lost theology based on Marie’s visions amounts to weak tea.

Groff’s trademarkworthy sentences bring vivid buoyancy to a magisterial story.

Pub Date: Sept. 7, 2021

ISBN: 978-1-59463-449-9

Page Count: 272

Publisher: Riverhead

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: July 1, 2021

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The World War II Hollywood setting is colorful, but it’s just a B picture.


An ambitious young Italian woman makes her way among the émigrés of 1930s and ’40s Hollywood.

Maria Lagana has come to Los Angeles after her father is sentenced to confino—internal exile—for his anti-fascist advocacy in Mussolini’s Italy. Living with her mother in the Italian American neighborhood of Lincoln Heights—also home to a trio of no-nonsense great-aunts forever dressed in black—Maria finds work as a typist at Mercury Pictures International, working in the office of studio head Artie Feldman, a fast-talking showman with a collection of toupées for every occasion. In time, the letters from her father stop, and Maria becomes an associate producer, Artie’s trusted right hand, as well as the secret lover of Eddie Lu, a Chinese American actor relegated to roles as Japanese villains. When a young Italian immigrant turns up at her door introducing himself as Vincent Cortese, Maria’s past—and the mystery of what happened to her father—crashes into her present. Like the author’s earlier novels, the award-winning A Constellation of Vital Phenomena (2013) and The Tsar of Love and Techno (2015), this one builds a discrete world and shows how its denizens are shaped—often warped—by circumstance. But the Hollywood setting feels overfamiliar and the characters curiously uninvolving. While the prose frequently sings, there are also ripely overwritten passages: At a party, the “thunking heels of lindy-hopping couples dimpled the boozy air”; fireworks are described as a “molten asterisk in the heavens to which the body on the ground is a footnote.”

The World War II Hollywood setting is colorful, but it’s just a B picture.

Pub Date: July 19, 2022

ISBN: 978-0-451-49520-4

Page Count: 432

Publisher: Hogarth

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.


Covering 250 years, Ford’s new novel traces the way states of consciousness involving extreme moments of pain or joy interconnect seven generations of Chinese women.

Embedded images—airplanes, ships, waves—and the occasional ghostly vision highlight how these women’s lives reverberate as the focus moves back and forth in time. In 1942 China, Faye Moy, a nurse in her 50s who’s working with American forces, feels an eerie connection to a dying young pilot in whose pocket she finds a newspaper photograph of herself as a teenager and a note in her own handwriting that says, “FIND ME.” Finding oneself and/or one’s soul mate becomes the throughline of the book. Faye’s great-grandmother Afong Moy, the first Chinese woman in America, dies in childbirth after a short career being exhibited as a curiosity in the 1830s. Faye’s mother, Lai King (Afong’s granddaughter), sails to Canton after her parents’ deaths in San Francisco’s Chinatown fire of 1892. Onboard ship she bonds with a young White boy, also an orphan, and nurses him when contagion strikes. When Faye is 14, she has an illegitimate daughter who is adopted and raised in England. Presumably that girl is Zoe Moy, who, in 1927, attends the famously progressive Summerhill School, where a disastrous social experiment in fascism destroys her relationship with a beloved poetry teacher. In 2014, Zoe’s emotionally fragile granddaughter, Greta, loses both her skyrocketing tech career and the love of her life at the hands of an evil capitalist. While several earlier Moys receive aid and guidance from Buddhist monks, Greta’s troubled poet daughter, Dorothy, turns to both Buddhism and radical scientific treatment to uncover and understand how past crises, emotional, physical, and spiritual, are destabilizing her current life in 2045. Expect long treatises on anamnesis, quantum biology, and reincarnation before traveling with Dorothy’s adult daughter in 2086.

Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.

Pub Date: Aug. 2, 2022

ISBN: 978-1-9821-5821-7

Page Count: 384

Publisher: Atria

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: June 1, 2022

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